Isa Abad Pinedo (b. 1996)

Birthplace:
Lima, Peru

Born:
December 29, 1996

Additional information:

The Search Form


Dialogue Editor:
2024  Chabuca
2024  El viaje al origen del kené
2024  The Legend of the Last Inca
2024  Viejas amigas
2024  Yana-Wara

Sound:
2018  Juan Alberto
2024  Chabuca
2024  El viaje al origen del kené
2024  The Legend of the Last Inca
2024  Viejas amigas
2024  Yana-Wara

Sound Assistant:
2016  Guerrero: The Movie
2017  Larco Ave.: The Movie
2017  Somos Néctar
2017  Una Navidad en verano
2018  Crazy in Love 2
2018  Juan Alberto
2018  ¡Asu Mare! 3
2024  Chabuca
2024  El viaje al origen del kené
2024  The Legend of the Last Inca
2024  Viejas amigas
2024  Yana-Wara

Sound Designer:
2016  Guerrero: The Movie
2017  Larco Ave.: The Movie
2017  Somos Néctar
2017  Una Navidad en verano
2018  Crazy in Love 2
2018  Juan Alberto
2018  No tan Clara
2018  ¡Asu Mare! 3
2024  Autorretrato
2024  Chabuca
2024  El viaje al origen del kené
2024  Puquio
2024  The Legend of the Last Inca
2024  Viejas amigas
2024  Yana-Wara

Sound Editor:
2016  Guerrero: The Movie
2017  Larco Ave.: The Movie
2017  Somos Néctar
2017  Una Navidad en verano
2018  Crazy in Love 2
2018  How to Get Over a Breakup
2018  Juan Alberto
2018  No tan Clara
2018  ¡Asu Mare! 3
2024  Autorretrato
2024  Chabuca
2024  El viaje al origen del kené
2024  Puquio
2024  The Legend of the Last Inca
2024  Viejas amigas
2024  Yana-Wara

Sound Effects:
2016  Guerrero: The Movie
2017  Larco Ave.: The Movie
2017  Somos Néctar
2017  Una Navidad en verano
2018  Crazy in Love 2
2018  How to Get Over a Breakup
2018  Juan Alberto
2018  No tan Clara
2018  ¡Asu Mare! 3
2019  The Journey of Javier Heraud
2024  Autorretrato
2024  Chabuca
2024  El viaje al origen del kené
2024  Puquio
2024  The Legend of the Last Inca
2024  Viejas amigas
2024  Yana-Wara

Sound Post Supervisor:
2016  Guerrero: The Movie
2017  Larco Ave.: The Movie
2017  Somos Néctar
2017  Una Navidad en verano
2018  Crazy in Love 2
2018  How to Get Over a Breakup
2018  Juan Alberto
2018  No tan Clara
2018  ¡Asu Mare! 3
2019  The Journey of Javier Heraud
2020  Crazy in Love 3
2021  Double Pregnant
2021  LXI (61)
2021  Pakucha
2021  Starched Collars
2021  The House of Snails
2022  Busco novia
2022  Pilona
2022  Without Saying Goodbye
2022  Zulen and I
2024  Autorretrato
2024  Chabuca
2024  El viaje al origen del kené
2024  Puquio
2024  The Legend of the Last Inca
2024  Viejas amigas
2024  Yana-Wara
????  The Four Altars

Sound Re-Recording Assistant:
2016  Guerrero: The Movie
2017  Larco Ave.: The Movie
2017  Somos Néctar
2017  Una Navidad en verano
2018  Crazy in Love 2
2018  How to Get Over a Breakup
2018  Juan Alberto
2018  No tan Clara
2018  Utopía
2018  ¡Asu Mare! 3
2019  Journey
2019  The Journey of Javier Heraud
2020  Crazy in Love 3
2021  Autoerotic
2021  Double Pregnant
2021  LXI (61)
2021  Pakucha
2021  Starched Collars
2021  The House of Snails
2022  Busco novia
2022  Pilona
2022  Without Saying Goodbye
2022  Zulen and I
2024  Autorretrato
2024  Chabuca
2024  El viaje al origen del kené
2024  Puquio
2024  The Legend of the Last Inca
2024  Viejas amigas
2024  Yana-Wara
????  The Four Altars

Sound Re-Recording Mixer:
2016  Guerrero: The Movie
2017  Larco Ave.: The Movie
2017  Somos Néctar
2017  Una Navidad en verano
2018  Crazy in Love 2
2018  How to Get Over a Breakup
2018  Juan Alberto
2018  No tan Clara
2018  Utopía
2018  ¡Asu Mare! 3
2019  Journey
2019  The Journey of Javier Heraud
2020  Crazy in Love 3
2021  Autoerotic
2021  Double Pregnant
2021  LXI (61)
2021  Pakucha
2021  Starched Collars
2021  The House of Snails
2022  Busco novia
2022  Pilona
2022  Without Saying Goodbye
2022  Zulen and I
2024  Autorretrato
2024  Chabuca
2024  El viaje al origen del kené
2024  Puquio
2024  The Legend of the Last Inca
2024  Viejas amigas
2024  Yana-Wara
????  The Four Altars

ADR Recordist:
2019  El día de mi suerte

Dialogue Editor:
2019  El día de mi suerte
2021  Llauca

Sound Post Supervisor:
2019  El día de mi suerte
2021  Llauca

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.