A work in constant progress (and occasional regress).
Birthplace:
Lima, Peru
Born:
December 29, 1996
Dialogue Editor:
2024 Chabuca
2024 El viaje al origen del kené
2024 The Legend of the Last Inca
2024 Viejas amigas
2024 Yana-Wara
Sound:
2018 Juan Alberto
2024 Chabuca
2024 El viaje al origen del kené
2024 The Legend of the Last Inca
2024 Viejas amigas
2024 Yana-Wara
Sound Assistant:
2016 Guerrero: The Movie
2017 Larco Ave.: The Movie
2017 Somos Néctar
2017 Una Navidad en verano
2018 Crazy in Love 2
2018 Juan Alberto
2018 ¡Asu Mare! 3
2024 Chabuca
2024 El viaje al origen del kené
2024 The Legend of the Last Inca
2024 Viejas amigas
2024 Yana-Wara
Sound Designer:
2016 Guerrero: The Movie
2017 Larco Ave.: The Movie
2017 Somos Néctar
2017 Una Navidad en verano
2018 Crazy in Love 2
2018 Juan Alberto
2018 No tan Clara
2018 ¡Asu Mare! 3
2024 Autorretrato
2024 Chabuca
2024 El viaje al origen del kené
2024 Puquio
2024 The Legend of the Last Inca
2024 Viejas amigas
2024 Yana-Wara
Sound Editor:
2016 Guerrero: The Movie
2017 Larco Ave.: The Movie
2017 Somos Néctar
2017 Una Navidad en verano
2018 Crazy in Love 2
2018 How to Get Over a Breakup
2018 Juan Alberto
2018 No tan Clara
2018 ¡Asu Mare! 3
2024 Autorretrato
2024 Chabuca
2024 El viaje al origen del kené
2024 Puquio
2024 The Legend of the Last Inca
2024 Viejas amigas
2024 Yana-Wara
Sound Effects:
2016 Guerrero: The Movie
2017 Larco Ave.: The Movie
2017 Somos Néctar
2017 Una Navidad en verano
2018 Crazy in Love 2
2018 How to Get Over a Breakup
2018 Juan Alberto
2018 No tan Clara
2018 ¡Asu Mare! 3
2019 The Journey of Javier Heraud
2024 Autorretrato
2024 Chabuca
2024 El viaje al origen del kené
2024 Puquio
2024 The Legend of the Last Inca
2024 Viejas amigas
2024 Yana-Wara
Sound Post Supervisor:
2016 Guerrero: The Movie
2017 Larco Ave.: The Movie
2017 Somos Néctar
2017 Una Navidad en verano
2018 Crazy in Love 2
2018 How to Get Over a Breakup
2018 Juan Alberto
2018 No tan Clara
2018 ¡Asu Mare! 3
2019 The Journey of Javier Heraud
2020 Crazy in Love 3
2021 Double Pregnant
2021 LXI (61)
2021 Pakucha
2021 Starched Collars
2021 The House of Snails
2022 Busco novia
2022 Pilona
2022 Without Saying Goodbye
2022 Zulen and I
2024 Autorretrato
2024 Chabuca
2024 El viaje al origen del kené
2024 Puquio
2024 The Legend of the Last Inca
2024 Viejas amigas
2024 Yana-Wara
???? The Four Altars
Sound Re-Recording Assistant:
2016 Guerrero: The Movie
2017 Larco Ave.: The Movie
2017 Somos Néctar
2017 Una Navidad en verano
2018 Crazy in Love 2
2018 How to Get Over a Breakup
2018 Juan Alberto
2018 No tan Clara
2018 Utopía
2018 ¡Asu Mare! 3
2019 Journey
2019 The Journey of Javier Heraud
2020 Crazy in Love 3
2021 Autoerotic
2021 Double Pregnant
2021 LXI (61)
2021 Pakucha
2021 Starched Collars
2021 The House of Snails
2022 Busco novia
2022 Pilona
2022 Without Saying Goodbye
2022 Zulen and I
2024 Autorretrato
2024 Chabuca
2024 El viaje al origen del kené
2024 Puquio
2024 The Legend of the Last Inca
2024 Viejas amigas
2024 Yana-Wara
???? The Four Altars
Sound Re-Recording Mixer:
2016 Guerrero: The Movie
2017 Larco Ave.: The Movie
2017 Somos Néctar
2017 Una Navidad en verano
2018 Crazy in Love 2
2018 How to Get Over a Breakup
2018 Juan Alberto
2018 No tan Clara
2018 Utopía
2018 ¡Asu Mare! 3
2019 Journey
2019 The Journey of Javier Heraud
2020 Crazy in Love 3
2021 Autoerotic
2021 Double Pregnant
2021 LXI (61)
2021 Pakucha
2021 Starched Collars
2021 The House of Snails
2022 Busco novia
2022 Pilona
2022 Without Saying Goodbye
2022 Zulen and I
2024 Autorretrato
2024 Chabuca
2024 El viaje al origen del kené
2024 Puquio
2024 The Legend of the Last Inca
2024 Viejas amigas
2024 Yana-Wara
???? The Four Altars
ADR Recordist:
2019 El día de mi suerte
Dialogue Editor:
2019 El día de mi suerte
2021 Llauca
Sound Post Supervisor:
2019 El día de mi suerte
2021 Llauca
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.