A work in constant progress (and occasional regress).
Alias:
垣内 彩子
垣内綾子
Animation Director:
2020 My Next Life as a Villainess: All Routes Lead to Doom!
Key Animation:
2011 Chihayafuru
2013 Oreshura
2014 Yona of the Dawn
2016 Macross Δ
2016 Re:ZERO -Starting Life in Another World-
2016 Yuri!!! on Ice
2017 Made in Abyss
2017 Sakura Quest
2019 Kono Oto Tomare!: Sounds of Life
2019 O Maidens in Your Savage Season
2020 22/7 (nanabun no nijyuuni)
2020 Gleipnir
2020 Iwa Kakeru! Sport Climbing Girls
2020 My Next Life as a Villainess: All Routes Lead to Doom!
2020 The Day I Became a God
2021 Horimiya
2021 The aquatope on white sand
2022 Akiba Maid War
2022 BIRDIE WING -Golf Girls' Story-
2022 Call of the Night
2022 Engage Kiss
2022 Pokémon: Hisuian Snow
2022 Shinobi no Ittoki
2022 Slow Loop
2023 Kubo Won't Let Me Be Invisible
2023 My Happy Marriage
2023 Skip and Loafer
2024 Sakuna: Of Rice and Ruin
2024 Solo Leveling
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.