A work in constant progress (and occasional regress).
Birthplace:
San Diego, California, USA
Madison McGaughy is a production and post sound mixer and recordist, located in Los Angeles, CA. Born and raised in San Diego, CA, she moved to LA to attend college at the University of Southern California School of Cinematic Arts. She studied all aspects of filmmaking with an emphasis in sound before graduating with a BA in Film and Television Production. Since then, she has work on numerous films and series spanning all lengths and genres in both production and post audio positions. In 2015, Madison opened mad4sound - a boutique sound house that specializes in taking a film all the way from production to the final mix.
Boom Operator:
2020 Fully Realized Humans
2022 Voices from the Void
Sound Mixer:
2020 Fully Realized Humans
2022 Voices from the Void
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.