A work in constant progress (and occasional regress).
A sketch of three Native Americans playing Nintendo 64 hung right outside of his childhood bedroom. His mother drew it. His father was in a band in the 60’s described as the “Colombian Beatles”. Writer/director Qualia has always been fascinated with the surreal. Influenced and inspired by the dreamlike qualities of Gaspar Noe and the reflective stillness and serenity of Tsai Ming-Liang, Qualia unmasks the honesty beneath his characters by blending a naturalistic visual style and sound design with waves of surrealism in the editing room. “There’s a gap between the sensory and abstract and that’s where you find truth.”
Director:
2020 Patterns
2021 being here
Screenplay:
2020 Patterns
2021 being here
Writer:
2020 Patterns
2021 being here
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.