A work in constant progress (and occasional regress).
Camera Department Manager:
2002 The Life Jacket Is Under Your Seat
Camera Operator:
1988 Desde la tierra
1989 Without Asking Permission
1990 Onetti, Portrait of a Writer
1991 The Forgotten Land
1994 The Chimera of the Coast
1997 Dieste: the Consciousness of Form
1998 The Implacable Purity of Oblivion
2000 The Recourse of Memory
2002 The Life Jacket Is Under Your Seat
Director:
1987 La jeringa
1988 Desde la tierra
1989 Without Asking Permission
1990 Onetti, Portrait of a Writer
1991 The Forgotten Land
1994 The Chimera of the Coast
1997 Dieste: the Consciousness of Form
1998 The Implacable Purity of Oblivion
2000 The Recourse of Memory
2002 The Life Jacket Is Under Your Seat
Director of Photography:
1987 La jeringa
1987 Voices For a Story
1988 Desde la tierra
1988 Octavio Podestá
1989 Without Asking Permission
1990 Onetti, Portrait of a Writer
1991 The Forgotten Land
1991 The Rocha Wetlands: The Secret of the Waters
1992 India Muerta
1992 La rambla montevideana
1994 The Chimera of the Coast
1997 Dieste: the Consciousness of Form
1998 The Implacable Purity of Oblivion
2000 The Recourse of Memory
2002 The Life Jacket Is Under Your Seat
2011 Manyas, La Película
2018 Life on Board
Screenplay:
1987 La jeringa
1987 Voices For a Story
1988 Desde la tierra
1988 Octavio Podestá
1989 Without Asking Permission
1990 Onetti, Portrait of a Writer
1991 The Forgotten Land
1991 The Rocha Wetlands: The Secret of the Waters
1992 India Muerta
1992 La rambla montevideana
1994 The Chimera of the Coast
1997 Dieste: the Consciousness of Form
1998 The Implacable Purity of Oblivion
2000 The Recourse of Memory
2002 The Life Jacket Is Under Your Seat
2011 Manyas, La Película
2018 Life on Board
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.