Catherine Weidner

Catherine Weidner is a teacher, director and actor. Recent professional credits include roles in Little Women, Third and Other Desert Cities at the Hangar Theatre, as well as directing Merry Wives of Windsor, Othello, As You Like It. and Two Gentlemen of Verona for Theatre at Monmouth in Maine. Other professional credits include: directing an adaptation of Henry V for Austin Shakespeare, Jane Austen’s Emma for Nebraska Repertory Theatre; Taming of the Shrew, Titus Andronicus, and Merry Wives of Windsor for the Illinois Shakespeare Festival; and Or, at Caffeine Theatre in Chicago.  Prior to 2013, she worked at The Kennedy Center in A Streetcar Named Desire with Patricia Clarkson, Amy Ryan and Noah Emmerich, directed by Tony-Award-winner Garry Hynes; at Center Stage in Baltimore in Blithe Spirit, and Mary Stuart; and at Arena Stage in Washington, DC in The Heidi Chronicles, directed by Tazewell Thompson. She has worked at The Guthrie Theater, Theatre de la Jeune Lune, the La Jolla Playhouse, and with Bread & Puppet. She holds a BFA in Acting from Ithaca College and an MFA in Directing from the University of Minnesota, and has also trained at Complicite in London, The Second City in Chicago and The Neighborhood Playhouse in New York. For ten years she was the Program Director of The Shakespeare Theatre Company’s Academy for Classical Acting at the George Washington University, offering a one-year MFA in Classical Acting. From 2007- 2013 she taught Classical Acting and Heightened Text at The Theatre School at DePaul University, where she served as Head of BFA Acting. For Ithaca College Theatre, she has directed Caesar, Twelfth Night, Cabaret, Company, and As You Like It, and taught Audition Techniques, Acting I, Freshmen Scene Study, Sophomore Scene Study, Sophomore Voice & Speech, Styles of Acting I: The Greeks & Shakespeare, Introduction to Theatre, Directing I, and Special Topics: Shakespeare Intensive. She served at Chair of Theatre Arts from 2013-2021, and as the Interim Director of the Ithaca College London Center in 2021-22. She is a member of Equity, SAG-AFTRA, and has been certified as a Consent-Forward Artist by Intimacy Directors and Coordinators.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.