A work in constant progress (and occasional regress).
Birthplace:
Rio De Janeiro, Brazil
Born:
October 3, 1977
Eduardo is the CEO of Hunter Filmes. Master in Cinema with Distinction from the prestigious London Film School, his debut as a film director was the award-winning documentary “B1 - Tenório em Beijing" (2010) which was selected for several festivals around the world, including HotDocs 2010. Directed the the film “Hei de Torcer" for ESPN, won the award for best educational shortfilm with "This Film is About", directed the series "What makes a Champion?" for the SPORTV channel, and won the Social Impact Video Award with the film "Rio Eu Amo Eu Cuido". In 2016 he directed the documentary series "DREAMERS" for SPORTV, and directed the opening film for the Paralympic Games Ceremony in Rio. From 2017 until now Eduardo directed the documentary series "Ensaios Contemporâneos" for Canal Curta, debuted in fiction as a director in the series "Baile de Máscaras", and has been directing branded content campaigns for Itaú, Verde Campo, Google Economics, and Guarana Antarctica. In 2018 he went to Japan with the documentary "Tenório and the Dreams of Judo", reuniting his friend and champion Tenório for another film - to premiere in 2021. In 2020, he released the short film "Dance Film", winner of best Videodanza at the CDMX International Film Festival. In 2021 he has already produced and directed two medium-format videos: the documentary “Samba da Gávea” and “Farra dos Brinquedos” (a musical adventure for children).
Director:
2021 Tenório and the Dreams of Judo
2024 As Bicampeãs
Writer:
2021 Tenório and the Dreams of Judo
2024 As Bicampeãs
Creator:
2024 As Bicampeãs
Director:
2019 Baile de Máscaras
2024 As Bicampeãs
Writer:
2019 Baile de Máscaras
2024 As Bicampeãs
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.