A work in constant progress (and occasional regress).
Alias:
E. Sankofa
Emmo
Birthplace:
Atlanta, Georgia
NAACP Image Award-nominated composer EmmoLei Sankofa brings her innovative sound to acclaimed projects like Hulu’s The Other Black Girl, Three Ways, Disney+’s Project CC, Lizzo’s Emmy-winning Watch Out for the Big Grrrls, and much more.
Executive Producer:
2022 Three Ways
Music:
2019 Jim
2021 Common Characters
2021 Horror Noire
2022 Defining Us
2022 Three Ways
2023 Bloom
2023 Project CC
2024 House of Aama: Threads of Legacy
2025 Are You Fucking Kidding Me?!
???? Undercard
Original Music Composer:
2019 Jim
2021 Common Characters
2021 Horror Noire
2022 Defining Us
2022 Three Ways
2023 Bloom
2023 Chocolate Milk
2023 Project CC
2024 House of Aama: Threads of Legacy
2025 Are You Fucking Kidding Me?!
???? Undercard
Music:
2018 Step Up
2022 Lizzo's Watch Out for the Big Grrrls
2023 The Other Black Girl
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.