A work in constant progress (and occasional regress).
Joseph Rozé studied literature in high school, followed by two years of hypokhâgne/khâgne at the lycée Claude Monet. At the same time, he studied Dramatic Art at the Conservatoire du 5ème arrondissement of Paris, and courses in Literature and Cinema at the Sorbonne in his 3rd year of Licence. After several years of study, he devoted himself to cinema. He collaborated with Pablo Cotten, with whom he wrote a feature film entitled "Midi en Italie," currently in development. He then wrote, produced and directed a short film, "A questo punto" in 2020. This film is co-produced with Tabo Tabo, and announced the first project of his production company, which he created in 2020 with Leïla Carpentier: Positif Production. His work with Pablo Cotten is currently giving life to a third collaboration by developing "Quand on aime, il faut partir," a short film which is scheduled to be shot in June 2021. At the same time, he has discovered a passion for music, and gives it a major place in his cinematographic productions. For several years he has been playing the trumpet and is currently developing and is currently developing a short film, as writer and director, entitled "Improvisation," produced by Ad Vitam Court.
Director:
2021 A questo punto
2022 If You Love, You Must Leave
2024 Eternal Playground
Producer:
2021 A questo punto
2022 If You Love, You Must Leave
2024 Eternal Playground
Production Manager:
2021 A questo punto
2022 If You Love, You Must Leave
2024 Eternal Playground
Screenplay:
2021 A questo punto
2022 If You Love, You Must Leave
2024 Eternal Playground
Writer:
2021 A questo punto
2022 If You Love, You Must Leave
2024 Eternal Playground
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.