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Inês Lima

Alias:
Inês de Lima Torres

Birthplace:
Portugal

Biography from TheMovieDB

Inês Lima (Setúbal) is an independent artist that explores the moving image, soundscapes, writing and film programming. She has been working the analog medium as an experimental vehicle in her work, intersecting personal themes with nature and ecology, traditions and memory, antagonisms and superstitions. Her work has been shown at national and international film festivals, and exhibited in cultural venues such as the Cinemateca Portuguesa, MALBA Museum (Argentina) or the Tabakalera Cultural Center (Spain). She worked as a film programmer at the IndieLisboa International Film Festival between 2019 and 2022.

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Additional information:

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Film Production

Cinematography:
2021  The House in the North

Continuity:
2021  The House in the North
????  Andar Com Fé

Director:
2017  De Madrugada
2021  Coral I
2021  The House in the North
2024  The Moving Garden
????  Andar Com Fé

Editor:
2017  De Madrugada
2021  Coral I
2021  The House in the North
2024  The Moving Garden
????  Andar Com Fé

Music:
2017  De Madrugada
2021  Coral I
2021  The House in the North
2024  The Moving Garden
????  Andar Com Fé

Producer:
2017  De Madrugada
2021  Coral I
2021  The House in the North
2024  The Moving Garden
????  Andar Com Fé

Writer:
2017  De Madrugada
2021  Coral I
2021  The House in the North
2024  The Moving Garden
????  Andar Com Fé

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.