A work in constant progress (and occasional regress).
Alias:
Anthony Curtis
Bernard Herschel Schwartz
Тони Кертис
Birthplace:
Bronx, New York, USA
Born:
June 3, 1925
Died:
September 29, 2010
Tony Curtis (June 3, 1925 – September 29, 2010) was an American film actor whose career spanned six decades, but had his greatest popularity during the 1950s and early 1960s. He acted in over 100 films in roles covering a wide range of genres, from light comedy to serious drama. In his later years, Curtis made numerous television appearances. Although his early film roles were partly the result of his good looks, by the later half of the 1950's he became a notable and strong screen presence. He began proving himself to be a “fine dramatic actor,” having the range to act in numerous dramatic and comedy roles. In his earliest parts he acted in a string of "mediocre" films, including swashbucklers, westerns, light comedies, sports films, and a musical. However, by the time he starred in Houdini (1953) with his wife Janet Leigh, "his first clear success," notes critic David Thomson, his acting had progressed immensely. He won his first serious recognition as a skilled dramatic actor in Sweet Smell of Success (1957) with co-star Burt Lancaster. The following year he was nominated for an Oscar for Best Actor in another drama, The Defiant Ones (1958). Curtis then gave what many believe was his best acting, in a completely different role, the comedy Some Like It Hot (1959). Thomson calls it an "outrageous film," and it was voted the number 1 funniest film in history from a survey done by the American Film Institute. It costarred Jack Lemmon and Marilyn Monroe, and was directed by Billy Wilder. That was followed by Blake Edwards’ comedy Operation Petticoat (1959) with Cary Grant. They were both “frantic comedies,” and displayed "his impeccable comic timing." He often collaborated with Edwards on later films. His most significant serious part came in 1968 when he starred in the true-life drama The Boston Strangler, which some consider his "last major film role." The part reinforced his reputation as a serious actor with his "chilling portrayal" of serial killer Albert DeSalvo. He gained 30 pounds and had his face "rebuilt" with a false nose to look like the real DeSalvo. Curtis was the father of actresses Jamie Lee Curtis and Kelly Curtis by his first wife, actress Janet Leigh.
Executive Producer:
1957 Sweet Smell of Success
1958 The Vikings
1963 Captain Newman, M.D.
1964 Sex and the Single Girl
1966 Not With My Wife, You Don't
1967 Don't Make Waves
Thanks:
1957 Sweet Smell of Success
1958 The Vikings
1963 Captain Newman, M.D.
1964 Sex and the Single Girl
1966 Not With My Wife, You Don't
1967 Don't Make Waves
1971 Norman Jewison, Film Maker
2001 Tony Curtis on 'Some Like It Hot'
2006 The Legacy of 'Some Like It Hot'
2006 The Making of 'Some Like It Hot'
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.