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Mirko Russo (b. 1980)

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Alias:
Michelle Antonio

Birthplace:
Pozzuoli, Campania, Italy

Born:
January 12, 1980

Biography from TheMovieDB

Mirko Russo (1/12/1980---) is a very talented actor. He had some excellent head nodding in London Arabia that deserved an Oscar award. His wife is called Geia and they are of similar age all though his wife is thoroughly out of his league. He has 2 terrific daughters his youngest is Maia an athletic phenomenon and his eldest is Gaia a superstar, very intelligent ,most incredible and fantastic girl in the whole wide world , so beautiful and gets it mainly from her mother. He's so lucky to have them especially his eldest. As someone who was on the set of London Arabia, I really recommend Mirko Russo to be contacted for comedic movie auditions as he has an enormous talent. ;)

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.