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Jeremiah Moore

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Biography from TheMovieDB

In the cinema realm, sound artist, sound designer, re-recording mixer, and supervising sound editor Jeremiah Moore realizes sound-visions collaboratively with filmmakers, fusing emotional and subjective realms with tactile and spatial realism. Highlights include sound design for Oscar-nominated documentary short "Last Day of Freedom", Joshua Izenberg's celebrated short "Slomo," and work for Pixar, McSweeney's, the Kitchen Sisters, Pacho Velez, Courtney Stephens, Cathy Lee Crane, Ellen Bruno, Irene Lusztig, Leslie Tai and Harrod Blank. Projects projects premiering at Sundance, Berlinale, Tribeca, SXSW, Toronto and True/False among others.  Collaborative projects beyond cinema include sound diffusion design and integration for Ai WeiWei's "@LARGE" on Alcatraz island with collaborators Moment Audio, and a 100-channel live-mix of The Residents' "Eskimo" at the Exploratorium. His mix for new-music project "Slow Beethoven" launched at Laurie Anderson's studio in NYC and made the 2023 billboard charts.  In addition to operating creative sound studio jeremiahmooresound.com, Jeremiah is a solo sound artist, a co-founder of The TANK Center for Sonic Arts, and co-founder of Bay Area Sound Ecology. He lives in San Francisco with his sons and partner.  --from personal website

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Film Production

Music Editor:
2002  Cherish

Original Music Composer:
2002  Cherish
2024  23 Mile

Sound Effects Editor:
2002  Cherish
2024  23 Mile

Sound Re-Recording Mixer:
2002  Cherish
2008  Balancing Acts: A Jewish Theatre in The Soviet Union
2024  23 Mile
????  A Bridge of Books

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.