A work in constant progress (and occasional regress).
Birthplace:
Buenos Aires, Argentina
Born:
April 28, 1994
Director:
2019 Asuntos internos
2019 Cimarrón
2019 Ese ya no es tu lugar
2022 Mutilación: Adiós, gracias por todo
2022 Para Ruy Rodríguez
2023 OUROBOROS: Un retrato imaginario de Marcelo Fox
2023 Otra piel
Editor:
2019 Asuntos internos
2019 Cimarrón
2019 Ese ya no es tu lugar
2022 Mutilación: Adiós, gracias por todo
2022 Para Ruy Rodríguez
2023 OUROBOROS: Un retrato imaginario de Marcelo Fox
2023 Otra piel
First Assistant Director:
2019 Asuntos internos
2019 Cimarrón
2019 Ese ya no es tu lugar
2022 Mutilación: Adiós, gracias por todo
2022 Para Ruy Rodríguez
2023 After School
2023 OUROBOROS: Un retrato imaginario de Marcelo Fox
2023 Otra piel
2024 Maridaje
2024 Solo por esta noche
Production Trainee:
2019 Asuntos internos
2019 Cimarrón
2019 Ese ya no es tu lugar
2022 Mutilación: Adiós, gracias por todo
2022 Para Ruy Rodríguez
2023 After School
2023 OUROBOROS: Un retrato imaginario de Marcelo Fox
2023 Otra piel
2024 Maridaje
2024 Solo por esta noche
2024 Surfacing
Script Supervisor:
2019 Asuntos internos
2019 Cimarrón
2019 Ese ya no es tu lugar
2021 Feeling Good
2022 Mutilación: Adiós, gracias por todo
2022 Para Ruy Rodríguez
2023 After School
2023 OUROBOROS: Un retrato imaginario de Marcelo Fox
2023 Otra piel
2024 Maridaje
2024 Solo por esta noche
2024 Surfacing
Writer:
2019 Asuntos internos
2019 Cimarrón
2019 Ese ya no es tu lugar
2021 Feeling Good
2022 Mutilación: Adiós, gracias por todo
2022 Para Ruy Rodríguez
2023 After School
2023 OUROBOROS: Un retrato imaginario de Marcelo Fox
2023 Otra piel
2024 Maridaje
2024 Solo por esta noche
2024 Surfacing
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.