A work in constant progress (and occasional regress).
Co founder of The Shift Theatre with Carolyn Bock, Helen appeared in their productions of Two Sisters and a Piano and Fred at The Dog Theatre in Footscray. Together they have written, produced and performed in The Girls in Grey, about Australian army nurses during World War 1, which has had a season at Theatre Works in St Kilda and has toured Victoria and N.S.W. and W.A. It was on the VCE curriculum for Drama in 2012 and is published by Currency Press. Her theatre appearances include Twelfth Night and Julius Caesar for Melbourne, Adelaide and Edinburgh Fringe Festivals for Essential Theatre, The Merry Wives of Windsor at fortyfive downstairs, Wuthering Heights at Ripponlea, Much Ado About Nothing in Perth and Adelaide and the far north of Australia and Romeo and Juliet and Twelfth Night in Melbourne’s Botanic Gardens and Pygmalion at the Athenaeum Theatre for The Australian Shakespeare Company and Away for the Melbourne Theatre Company. La Mama productions include Lost in Ringwood, The Show Must Go On, Macbeth X, Dizney on Dry Ice, Thy Kingdom Come, Orpheus, Evidence, Monologues for an Apocalypse, Mary Shelley and the Monsters, Good Morning Midnight, Heights, Advice from a Caterpillar. She also appeared in the production of The Women’s Jail Project for the Dublin Fringe Festival. Helen has featured in lead roles in the films The Marey Project, Hamlet X, Ghost Paintings 1-4 and Sensitive New Age Killer (SNAK). Helen is on La Mama Theatre’s Committee of Management.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.