Mélissandre Carrasco

After studying literature and film, Mélissandre Carrasco joined the editing section of CinéFabrique in 2016. She has completed several projects, including her graduation film En apnée, which premiered at the Écrans Mixtes festival in 2020. She was also assistant editor on Tout s’est bien passé (Everything Went Fine) by François Ozon and L’Innocent (The Innocent) by Louis Garrel. She then joined the CinéFabrique incubator. Her short film Contre le silence was selected for the Off-Courts festival in Trouville. She is currently developing several short films with Les Films des Turbulents, as well as directing music videos for artists.

Additional information:

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Assistant Editor:
2022  The Innocent
2024  No Chains, No Masters

Director:
2020  Contre le silence
2021  Hold Your Breath
2022  The Innocent
2024  No Chains, No Masters
????  Les Saintes

Scenario Writer:
2020  Contre le silence
2021  Hold Your Breath
2022  The Innocent
2024  No Chains, No Masters
????  Les Saintes

Writer:
2020  Contre le silence
2021  Hold Your Breath
2022  The Innocent
2024  No Chains, No Masters
????  Les Saintes

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.