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Abdelrahman El-Abnoudy (1939-2015)

Alias:
عبد الرحمن الابنودي

Birthplace:
Qena, Egypt

Born:
April 11, 1939

Died:
April 21, 2015

Biography from TheMovieDB

An Egyptian poet and writer, born in the village of Abnoud, Qena Governorate, in 1938, before he moved with his family to the city of Qena. He obtained a Bachelor of Arts in Arabic Language from Cairo University, and was well versed in the Arabic language. He formed a creative trio with Amal Dunqul and Yahya Al-Taher, and they wrote classical poetry in the early sixties, after which he turned into colloquial poetry, which was turned into many songs for the most prominent singers, including Abdel Halim Hafez, Mohamed Roushdy and Shadia. He also wrote the lyrics of many TV series, such as Mountain Wolves and Al-Nadim. He wrote different stories about his life in Upper Egypt, which were published in separate episodes in Al-Ahram newspaper, and were collected in the book My Sweet Days, which was published in three parts. He passed away on April 21, 2015 at the age of 76.

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Film Production

Lyricist:
1969  Bit of Fear
1969  My Father Is on the Tree
1972  A Song on the Passage
1975  Tears Run Dry
1980  A Night When the Moon Cried
1984  Black Tiger
1986  Qaffas al-Harim
1986  The Innocent
1998  Date Wine
2006  Leisure Time
2016  The Impersonator P2

Writer:
1969  Bit of Fear
1969  My Father Is on the Tree
1972  A Song on the Passage
1973  The Song of Death
1975  Tears Run Dry
1980  A Night When the Moon Cried
1984  Black Tiger
1986  Qaffas al-Harim
1986  The Collar and the Bracelet
1986  The Innocent
1998  Date Wine
2006  Leisure Time
2016  The Impersonator P2

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TV Production

Lyricist:
1998  Alseera AlAshouria: AlHarafeesh
2001  الكومي
2023  A Rare Currency

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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