A work in constant progress (and occasional regress).
Alias:
Rezki Rahmahadi, ISE
Dialogue Editor:
2022 DJS The Movie: Biarkan Aku Menari
Foley Artist:
2018 Haunted Hotel
2019 Rembulan Tenggelam di Wajahmu
2019 Senior
2022 DJS The Movie: Biarkan Aku Menari
Foley Mixer:
2016 Sang Sekretaris
2016 Tales of the Otherwords
2018 Haunted Hotel
2019 Ajari Aku Islam
2019 Rembulan Tenggelam di Wajahmu
2019 Senior
2019 Uka-Uka The Movie: Nini Tulang
2022 DJS The Movie: Biarkan Aku Menari
Sound Designer:
2016 Sang Sekretaris
2016 Tales of the Otherwords
2018 Haunted Hotel
2019 Ajari Aku Islam
2019 Rembulan Tenggelam di Wajahmu
2019 Senior
2019 Uka-Uka The Movie: Nini Tulang
2020 Pengantin
2021 Love of Fate
2021 Marriage
2022 2045 Apa Ada Cinta
2022 Anoksia
2022 DJS The Movie: Biarkan Aku Menari
2022 Father & Son
2022 How Are You Really?
2022 Misi Kafe Biru
2022 Pulang
2022 The Last Prank
2023 Lakuna: Left Body, Lost Soul
2023 The Prize!
Sound Editor:
2016 Sang Sekretaris
2016 Tales of the Otherwords
2018 Haunted Hotel
2019 Ajari Aku Islam
2019 Rembulan Tenggelam di Wajahmu
2019 Senior
2019 Uka-Uka The Movie: Nini Tulang
2020 Pengantin
2021 #StopOnYou
2021 Love of Fate
2021 Marriage
2022 2045 Apa Ada Cinta
2022 Anoksia
2022 DJS The Movie: Biarkan Aku Menari
2022 Father & Son
2022 How Are You Really?
2022 Misi Kafe Biru
2022 Pulang
2022 The Last Prank
2023 Lakuna: Left Body, Lost Soul
2023 The Prize!
Sound Effects Editor:
2016 Sang Sekretaris
2016 Tales of the Otherwords
2018 Haunted Hotel
2019 Ajari Aku Islam
2019 Rembulan Tenggelam di Wajahmu
2019 Senior
2019 Uka-Uka The Movie: Nini Tulang
2020 Pengantin
2021 #StopOnYou
2021 Love of Fate
2021 Marriage
2022 2045 Apa Ada Cinta
2022 Anoksia
2022 DJS The Movie: Biarkan Aku Menari
2022 Father & Son
2022 How Are You Really?
2022 Misi Kafe Biru
2022 Pulang
2022 The Last Prank
2022 The Other Side
2023 Lakuna: Left Body, Lost Soul
2023 The Prize!
Sound Re-Recording Mixer:
2016 Sang Sekretaris
2016 Tales of the Otherwords
2018 Haunted Hotel
2019 Ajari Aku Islam
2019 Rembulan Tenggelam di Wajahmu
2019 Senior
2019 Uka-Uka The Movie: Nini Tulang
2020 Pengantin
2021 #StopOnYou
2021 Love of Fate
2021 Marriage
2022 2045 Apa Ada Cinta
2022 Anoksia
2022 DJS The Movie: Biarkan Aku Menari
2022 Father & Son
2022 How Are You Really?
2022 Misi Kafe Biru
2022 Pulang
2022 The Last Prank
2022 The Other Side
2023 Lakuna: Left Body, Lost Soul
2023 The Prize!
Sound Recordist:
2016 Sang Sekretaris
2016 Tales of the Otherwords
2018 Haunted Hotel
2019 Ajari Aku Islam
2019 Rembulan Tenggelam di Wajahmu
2019 Senior
2019 Uka-Uka The Movie: Nini Tulang
2020 Pengantin
2021 #StopOnYou
2021 Love of Fate
2021 Marriage
2022 2045 Apa Ada Cinta
2022 Anoksia
2022 DJS The Movie: Biarkan Aku Menari
2022 Father & Son
2022 How Are You Really?
2022 Misi Kafe Biru
2022 Pulang
2022 The Last Prank
2022 The Other Side
2023 Lakuna: Left Body, Lost Soul
2023 The Prize!
2024 All Access To Rossa 25 Shining Years
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.