A work in constant progress (and occasional regress).
Birthplace:
São Paulo, Brasil
Cauê Dias Baptista is a Brazilian filmmaker. The first two short films he directed during film school at Universidade Federal Fluminense, "Obelisco" (2014) and "Onde Vai Ana" (2015), premiered at the Tiradentes Film Festival. His latest short film, "Noite Veloz" (2022), premiered in the international competition Featured Authors at Festiwal Kamera Akcja in Lodz, Poland, and was screened in the International Competition at the Beijing International Short Film Festival. He is also the founder of the film production company Pena Capital, the director of the Estranhos Encontros festival, and a film programmer at the São Paulo International Film Festival.
Co-Editor:
2020 The Poles
Director:
2014 Obelisco
2015 Where is Ana going
2020 The Poles
2022 Night in Motion
Editor:
2014 Obelisco
2015 Where is Ana going
2020 Rhonda Highlands
2020 The Poles
2022 Night in Motion
2023 The Rangoon Princess
2024 Works and Nights
Producer:
2014 Obelisco
2015 Where is Ana going
2020 Rhonda Highlands
2020 The Poles
2022 Night in Motion
2023 The Rangoon Princess
2024 Works and Nights
Screenplay:
2014 Obelisco
2015 Where is Ana going
2020 Rhonda Highlands
2020 The Poles
2022 Night in Motion
2023 The Rangoon Princess
2024 Works and Nights
Writer:
2014 Obelisco
2015 Where is Ana going
2020 Rhonda Highlands
2020 The Poles
2022 Night in Motion
2023 The Rangoon Princess
2024 Works and Nights
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.