Aamina Gant (b. 1979)

Birthplace:
Los Angeles, California, U.S

Born:
April 1, 1979

Aamina Gant was born into the music business, with a prominent songwriter father and record executive mother. She began recording and assisting with producing vocals at the age of 10 and has not looked back. Most recently, Aamina has signed on to a number of high-profile projects including multiple series for Producer/Director Ava Duvernay – DMZ for HBO Max with director Ernest Dickerson, starring Rosario Dawson; Naomi for the CW with director Amanda Marsalis, and Colin in Black and White, the Colin Kapernick documentarynow airing on Netflix. She is also the music supervisor for upcoming projects Breathe for Netflix, and Bust Down, for Peacock. Aamina has also been the Music Production Consultant for the Showtime series Black Monday, and was the music supervisor for Nat Geo’s Genius: Aretha, and a Salt-N–Pepa biopic for Lifetime. Aamina began her career at BMI working closely with songwriters and producers as well as learning the ins and outs of music licensing. Aamina moved on, transitioning into music management, working with top artists such as The Backstreet Boys, Mary J Blige, and 112. She was an integral part of T.I.‘s management team at the height of his career. In 2013, Aamina decided to pursue her interest in working in TV and Film music, securing a position at Sony Pictures Television. In her role as a Creative Manager, she worked on such shows as The Goldbergs, The Queen Latifah Show, Outlander, and Better Call Saul. Additionally, she was given the responsibility of music supervising the many TV movies that were produced by the company. Aamina then decided to spread her wings and go independent. She was the “on set” music director for Lee Daniels’ Fox show, STAR. For all 3 seasons, she oversaw the recording of all original music for the show. This included vocal production of the cast, securing outside featured artists, and assisting the incoming directors with executing Lee’s vision for each musical performance.

Additional information:

The Search Form


Music Supervisor:
2022  End of the Road
2024  Knox Goes Away
2024  The Deliverance

Music Consultant:
2019  Black Monday

Music Supervisor:
2019  Black Monday
2024  The Big Cigar

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.