A work in constant progress (and occasional regress).
Birthplace:
Bandırma, Türkiye
Born:
September 19, 1984
Şengenç takes a bachelor's degree in the Sociology of Bilgi University, Istanbul. She participated in numerous oral history studies. In childhood, she discovered that the camera is an instrument to communicate with people when she saw smiles in their faces while taking photos in cafes. Since she believes that every person has a story, she plotted a route as a storyteller that brings persons and stories together. Şengenç had considerable stage experience, even in her undergraduate years. She worked as an assistant director in Genco Erkal's game named "Kerem Gibi", and produced trailers for various theater games and festivals. Şengenç took digital editing courses at New York Film Academy, meanwhile she took place in archiving works of non-governmental organizations. At the Porto Femme Film Festival, she took place in the jury on behalf of the Flying Broom Association. Besides, she was the media representative of the Flying Broom 22th Women's Film Festival, and she still supports woman-oriented projects. Şengenç directed two short and one feature-length films. Her first feature-length documentary named "Yürümek (The Walkers)" was first screened at the 50th Antalya Golden Orange Film Festival. Şengenç awarded by the Rovereto International Festival of Archeological Cinema in Italy with the documentary named "Katman" that she was the director of cinematography.
Assistant Director of Photography:
2011 I Left My Shoes In Istanbul
Director:
2011 I Left My Shoes In Istanbul
2013 The Walkers
Director of Photography:
2011 I Left My Shoes In Istanbul
2013 The Walkers
2015 After This Day
2018 Layer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.