A work in constant progress (and occasional regress).
Alias:
Britt Nichols
Britt Nickols
Carmizè
María de Deus
María do Carmo Ressurreição de Deus
Birthplace:
Guarda, Portugal
Born:
May 29, 1950
Britt Nichols was born in Gonçalo, Guarda, Portugal in 1950 as María do Carmo Ressurreição de Deus. Coming from a extremely impoverished home where many of her siblings passed away in childhood, she found a way out through the entertainment industry, first starting as a folk dancer, and then being noticed by modeling agents and filmmakers. She made her first notable screen appearance as a human sacrifice to skeletal Templar zombies in Amando de Ossorio's atmospheric Tombs of the Blind Dead (1972), which was popular enough to spawn three sequels. Afterward, she appeared in major roles in seven exploitation films for director Jesus Franco, mostly in the horror genre. She had the titular role in Daughter of Dracula (1972), played a suspected witch in The Demons (1973) and played another bloodsucker in Dracula, Prisoner of Frankenstein (1972). Usually best regarded among the Franco period she took part in was A Virgin Among the Living Dead (1973), where she played a bizarre member of a bizarre family gathering for the reading of a will. Britt also acted for Juan Bosch in one film: Killer with a Thousand Eyes (1973). After acting for just a few years, Britt married famous Argentine soccer player Casimiro Yazalde (then with Sporting Clube de Portugal) and relocated to Argentina with him in 1977, where she became a celebrity and worked as a runway, print and advertisement model under the name Carmen Yazalde. She still makes the occasional TV appearance.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.