A work in constant progress (and occasional regress).
Birthplace:
Augsburg, Germany
Born:
June 23, 1989
Philipp Gufler was born in Augsburg and studied at the Academy of Fine Arts in Munich. He attended artist residencies at De Ateliers, Amsterdam, Netherlands (2015-2017), Skowhegan School of Painting & Sculpture, Maine, USA (2019) and Delfina Foundation, London, UK (2021), among others. He lives in Amsterdam and Munich. He is an active member of the self-organized Forum Queeres Archiv München. Philipp Gufler "explores matters of queer imagery, questioning the Western historiography, in which heterosexuality and a binary gender system define the social norm". He spans various media in his practice, including silkscreen prints on fabric and mirrors, artist books, performances and video installations. His artist book and video installation Projection on the Crisis (Gauweilereein in Munich "takes a kaleidoscopic and retrospective look at the early days of the AIDS crisis in Germany". In the ongoing series of quilts, Philipp Gufler refers to artists, writers, magazines and lost queer spaces. The screen-printed fabrics have been exhibited at the Württembergischer Kunstverein, Stuttgart and at Munich Documentation Centre for the History of National Socialism among other venues. In 2020, he produced a short film and a zine about the singer and entertainer Lana Kaiser.
Director:
2011 Ritual of Farewell
2012 Eingebildete Männlichkeit
2014 Conversation with Erich Haas
2014 Projection on the Crisis (Gauweilereien in Munich)
2016 Becoming-Rabe
2016 Een Gebeuren
2019 The Responsive Body
2021 Lana Kaiser
2023 Conversation with Albert Knoll
2024 The Beginning of Identification, and its End
Writer:
2011 Ritual of Farewell
2012 Eingebildete Männlichkeit
2014 Conversation with Erich Haas
2014 Projection on the Crisis (Gauweilereien in Munich)
2016 Becoming-Rabe
2016 Een Gebeuren
2019 The Responsive Body
2021 Lana Kaiser
2023 Conversation with Albert Knoll
2024 The Beginning of Identification, and its End
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.