Mishu Hilmy

Mishu currently writes, directs, and produces films of various lengths in Chicago; where the past winters have been so cold the only imaginable reason he has stayed must be undefeatable self-loathing.  He has previously lived in New York (Brooklyn and Binghamton), New Orleans, and Whitewater Wisconsin—where you can go to find cheese hats, Miller High Life, and rock bottom.  Prior to filmmaking, he had spent the past decade desperately seeking validation in a profoundly unsuccessful career in theater and comedy. His theater experience—which can only be described as the opposite of lucrative—lead him to writing and performing in an original comedy special 'Trapped in the Netflix', devising the “diluted social satire” play 'Good Morning Gitmo', and directing the interactive theatrical experience 'Out to Get You'; which the Chicago Reader chronicled as “the sort of unwieldy mess only true ambition could create.”  Mishu is grateful to have taken a step away from theater and live performance to focus on filmmaking.

Additional information:

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Director:
2021  By the Time You Read This
2024  Apolitical

Editor:
2021  By the Time You Read This
2024  Apolitical

Writer:
2021  By the Time You Read This
2024  Apolitical

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.