A work in constant progress (and occasional regress).
Alias:
Lolita Merlo
Assistant Makeup Artist:
1944 Orosia
Makeup & Hair:
1944 Orosia
1987 El polizón del Ulises
Makeup Artist:
1944 Orosia
1957 El bandido generoso
1958 El hincha
1958 Habanera
1958 Muchachas en vacaciones
1960 Pasa la tuna
1962 Mi adorable esclava
1963 Cuatro bodas y pico
1963 El diablo en vacaciones
1966 En Andalucía nació el amor
1968 Madigan's Millions
1969 Bohemians
1969 La canción del olvido
1971 Préstame quince días
1972 Guapo heredero busca esposa
1973 Autopsy
1973 Las señoritas de mala compañía
1973 The Girl from the Red Cabaret
1973 The Loreley's Grasp
1974 Perversión
1975 Un lujo a su alcance
1976 Los hijos de...
1977 Las desarraigadas
1977 Marked by Men
1978 At the Service of Spanish Womanhood
1979 Honey
1981 Frigid Fantasies
1985 Caught in Fear
1985 La reina del mate
1987 El polizón del Ulises
1987 The Way They Were
1990 La cruz de Iberia
Makeup Department Head:
1944 Orosia
1957 El bandido generoso
1958 El hincha
1958 Habanera
1958 Muchachas en vacaciones
1960 Pasa la tuna
1962 Mi adorable esclava
1963 Cuatro bodas y pico
1963 El diablo en vacaciones
1966 En Andalucía nació el amor
1968 Madigan's Millions
1969 Bohemians
1969 La canción del olvido
1971 Préstame quince días
1971 Una chica casi decente
1972 Guapo heredero busca esposa
1973 Autopsy
1973 Las señoritas de mala compañía
1973 The Girl from the Red Cabaret
1973 The Loreley's Grasp
1974 Perversión
1975 Un lujo a su alcance
1976 Los hijos de...
1977 Las desarraigadas
1977 Marked by Men
1978 At the Service of Spanish Womanhood
1979 Honey
1981 Frigid Fantasies
1985 Caught in Fear
1985 La reina del mate
1987 El polizón del Ulises
1987 The Way They Were
1990 La cruz de Iberia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.