Dario Lauritano (b. 1994)

Born:
December 28, 1994

Dario Lauritano is an italian filmmaker. He studied cinema at DAMS - Cinema, Television and New Media department in Rome. He has written and directed his first feature short film, False Negative, between 2015 and 2016. After attending screenwriting and director courses, he directed Erre (2017), Rapsòdia (2019) and Come stai (2022). In 2022 he directs his first documentary, Siamo qui (2024).  He also worked on movie sets such as The Vice of Hope (2018) directed by Edoardo De Angelis, The Children of the Sleeping Giant (2021) directed by Lorenzo Pallotta and Song of the Fly (2022) directed by Michele Pagano. He is currently studying cinema and animation at Centro Sperimentale di Cinematografia, in Turin.

Additional information:

The Search Form


Assistant Director:
2021  The Children of the Sleeping Giant

Assistant Director Trainee:
2018  The Vice of Hope
2021  The Children of the Sleeping Giant

Director:
2016  False Negative
2017  Erre
2018  The Vice of Hope
2021  Rapsòdia
2021  The Children of the Sleeping Giant
2023  Come stai
2024  Siamo qui

Director of Photography:
2016  False Negative
2017  Erre
2018  The Vice of Hope
2021  Rapsòdia
2021  The Children of the Sleeping Giant
2023  Come stai
2024  Siamo qui

Editor:
2016  False Negative
2017  Erre
2018  The Vice of Hope
2021  Rapsòdia
2021  The Children of the Sleeping Giant
2023  Come stai
2024  Siamo qui

Producer:
2016  False Negative
2017  Erre
2018  The Vice of Hope
2021  Rapsòdia
2021  The Children of the Sleeping Giant
2023  Come stai
2024  Siamo qui

Screenplay:
2016  False Negative
2017  Erre
2018  The Vice of Hope
2021  Rapsòdia
2021  The Children of the Sleeping Giant
2023  Come stai
2024  Siamo qui

Sound Mixer:
2016  False Negative
2017  Erre
2018  The Vice of Hope
2021  Rapsòdia
2021  The Children of the Sleeping Giant
2023  Come stai
2024  Siamo qui

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.