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Julia Elihu

Birthplace:
USA

Biography from TheMovieDB

Julia is an Iranian-American Writer/Director whose work spans across the narrative, documentary, and commercial landscape. Through film, she aims to shed light on underrepresented stories that capture life’s candid beauty.  In 2018, her short film YASAMIN, based on her mother’s story of immigration, was a Grand Jury Prize Nominee at the 2018 AFI Film Festival. In 2022, she associate produced the short documentary  LONG LINE OF LADIES which world premiered at the 2022 Sundance Film Festival and won the grand jury prize at SXSW. In 2021, she produced the short documentary titled TEAM MERYLAND which was acquired by The New Yorker and PBS' POV Shorts Program. Julia's short narrative film, WINTER OF '79, had its World Premiere at the Oscar-Qualifying Rhode Island International Film Festival and is available to watch on Vimeo or Omeleto. Her latest short,  IN THE GARDEN OF TULIPS world premiered at the Aspen Shortsfest, winning the "Youth Jury Award". When it comes to commercial work, Julia has worked with a range of clients like Amazon, Nike x Togethxr, and Sqaure. Julia was selected as a finalist for the 2023 Commercial Directors Diversity Program, endorsed by the AICP and the Directors Guild of America (DGA).  In the future, Julia hopes to tell more stories that remind us to savor the small beauties of life.

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Film Production

Associate Producer:
2022  Long Line of Ladies

Director:
2018  Yasamin
2022  Long Line of Ladies
2022  Winter of '79
2023  In the Garden of Tulips

Producer:
2018  Yasamin
2021  Team Meryland
2022  Long Line of Ladies
2022  Winter of '79
2023  In the Garden of Tulips

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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