A work in constant progress (and occasional regress).
Birthplace:
Montreal, Québec, Canada
Born February 1985 on the island of Montreal, Quebec Canada. She moved to Boston, Massachusetts in 2006. Lisa is bilingual and speaks French Canadian and English. Based in the Boston Area she works all around New England and specializes in documentary and commercial filmmaking. Lisa has been working as a cinematographer, camera operator, and assistant camera on documentaries since 2014 and has her own film production studio and office in South Boston inside The Distillery - Art Gallery Building which houses several other artists, filmmakers, and photographers. She works alongside her spouse Richard T K Hawke in their Boston-based business Hawke Commercial Filmmaking.
Assistant Camera:
2020 The Perfect Weapon
2021 A Reckoning in Boston
2021 Misha and the Wolves
2021 My Name Is Bulger
Camera Operator:
2019 Reconstruction: America After the Civil War
2020 The Perfect Weapon
2021 A Reckoning in Boston
2021 Misha and the Wolves
2021 My Name Is Bulger
Digital Imaging Technician:
2019 Gary Gulman: The Great Depresh
2019 Reconstruction: America After the Civil War
2020 The Perfect Weapon
2021 A Reckoning in Boston
2021 Misha and the Wolves
2021 My Name Is Bulger
Director of Photography:
2019 Gary Gulman: The Great Depresh
2019 Reconstruction: America After the Civil War
2020 Lockshop
2020 The Perfect Weapon
2021 A Reckoning in Boston
2021 Misha and the Wolves
2021 My Name Is Bulger
First Assistant Camera:
2019 Gary Gulman: The Great Depresh
2019 Help Me I'm Dying
2019 Reconstruction: America After the Civil War
2020 Lockshop
2020 The Perfect Weapon
2021 A Reckoning in Boston
2021 Misha and the Wolves
2021 My Name Is Bulger
"B" Camera Operator:
2022 Lincoln's Dilemma
Assistant Camera:
1974 NOVA
1983 Frontline
1988 American Experience
2020 Trial 4
2021 Turning Point: 9/11 and the War on Terror
2022 Lincoln's Dilemma
2022 Making Black America
Grip:
1974 NOVA
1983 Frontline
1988 American Experience
2012 Finding Your Roots
2020 Trial 4
2021 Turning Point: 9/11 and the War on Terror
2022 Lincoln's Dilemma
2022 Making Black America
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.