A work in constant progress (and occasional regress).
Cody Westman is a director/shooter in St. John's NL Canada who owns and operates Cats Eye Cinema, making corporate and commercial videos as a day job, and has directed 3 short films to date (fiction and documentary). Cody was born in Smithers, British Columbia and discovered film as an extra in Montreal in 2000. He bought his first camera in 2013 and went straight to work on a short documentary. 2018 marked a new high as Cody's short film Casey was selected by Telefilm Canada to be featured in Canada's Not Short On Talent at the Festival De Cannes in Cannes, France. His feature documentary Hell Or Clean Water won 2 Audience Choice Awards at Hot Docs 2021 and now airs on Documentary Channel and CBC Gem.
Additional Sound Re-Recordist:
2021 Hell or Clean Water
Camera Operator:
2021 A Forbidden Orange
2021 Hell or Clean Water
2022 End of the Line
2024 A Quiet Girl
Camera Trainee:
2014 How To Be Deadly
2021 A Forbidden Orange
2021 Hell or Clean Water
2022 End of the Line
2024 A Quiet Girl
Cinematography:
2014 How To Be Deadly
2021 A Forbidden Orange
2021 Hell or Clean Water
2022 End of the Line
2024 A Quiet Girl
2024 Sons
Co-Producer:
2014 How To Be Deadly
2021 A Forbidden Orange
2021 Hell or Clean Water
2022 End of the Line
2024 A Quiet Girl
2024 Sons
Co-Writer:
2014 How To Be Deadly
2017 It Could Be You
2021 A Forbidden Orange
2021 Hell or Clean Water
2022 End of the Line
2024 A Quiet Girl
2024 Sons
Director:
2014 How To Be Deadly
2014 That Little Room: The Story of Erin's Pub
2015 Deadline
2017 Casey
2017 It Could Be You
2021 A Forbidden Orange
2021 Hell or Clean Water
2022 End of the Line
2024 A Quiet Girl
2024 Sons
Editor:
2014 How To Be Deadly
2014 That Little Room: The Story of Erin's Pub
2015 Deadline
2017 Casey
2017 It Could Be You
2021 A Forbidden Orange
2021 Hell or Clean Water
2022 End of the Line
2024 A Quiet Girl
2024 Sons
Epk Producer:
2014 How To Be Deadly
2014 That Little Room: The Story of Erin's Pub
2015 Deadline
2016 Maudie
2017 Casey
2017 It Could Be You
2021 A Forbidden Orange
2021 Hell or Clean Water
2022 End of the Line
2024 A Quiet Girl
2024 Sons
Executive Producer:
2014 How To Be Deadly
2014 That Little Room: The Story of Erin's Pub
2015 Deadline
2016 Maudie
2017 Casey
2017 It Could Be You
2021 A Forbidden Orange
2021 Hell or Clean Water
2022 End of the Line
2024 A Quiet Girl
2024 Sons
Foley:
2014 How To Be Deadly
2014 That Little Room: The Story of Erin's Pub
2015 Deadline
2016 Maudie
2017 Casey
2017 It Could Be You
2021 A Forbidden Orange
2021 Hell or Clean Water
2022 End of the Line
2024 A Quiet Girl
2024 Sons
Producer:
2014 How To Be Deadly
2014 That Little Room: The Story of Erin's Pub
2015 Deadline
2016 Maudie
2017 Casey
2017 It Could Be You
2021 A Forbidden Orange
2021 Hell or Clean Water
2022 End of the Line
2024 A Quiet Girl
2024 Sons
Sound Recordist:
2014 How To Be Deadly
2014 That Little Room: The Story of Erin's Pub
2015 Deadline
2016 Maudie
2017 Casey
2017 It Could Be You
2021 A Forbidden Orange
2021 Hell or Clean Water
2022 End of the Line
2024 A Quiet Girl
2024 Sons
Writer:
2014 How To Be Deadly
2014 That Little Room: The Story of Erin's Pub
2015 Deadline
2016 Maudie
2017 Casey
2017 It Could Be You
2021 A Forbidden Orange
2021 Hell or Clean Water
2022 End of the Line
2024 A Quiet Girl
2024 Sons
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.