Komeil Soheili

Birthplace:
Mashhad, Iran

Born in 1985 in Mashhad, Iran, Komeil Soheili grew up as a curious and inquisitive child. His journey into the world of media and storytelling began when he moved to Tehran to pursue a BA in Journalism and an MA in Cultural Studies and Media. The day after defending his thesis, Komeil embarked on a five-year hitchhiking journey that took him across various parts of the world. This adventure ignited his passion for documentaries, particularly those featuring ordinary heroes and their struggles.  Komeil's showcasing the lives of ordinary Iranians find its way to global channels, like National Geographic and CNN. His work was especially significant at a time when images of everyday life in Iran were rare on international television. His films have been showcased and awarded at numerous film festivals, including GZDOCS, Bucheon FFF, United Nation FF, etc.  In 2018, Komeil relocated to South Korea following his marriage, where he continued his passion for storytelling. He has served as a jury member at various film festivals, including Meihodo, Busan International Short Film Festival, Aladerri Shorts Film Festival, and Lampa Film Festival. Additionally, he has published a book detailing his global travels, further cementing his role as a storyteller and cultural documentarian.

Additional information:

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Director:
2021  Coexist
2023  2132 People are Watching
????  As the Bell Rings

Director of Photography:
2021  Coexist
2023  2132 People are Watching
????  As the Bell Rings

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.