Lale Westvind

Lale Westvind b.1987 is a multi-disciplinary artist working primarily in comics and animation in Pennsylvania, USA.  Her work has been published in magazines and anthologies internationally such as Kramers Ergot (USA), Best American Comics (USA), The Lifted Brow (AUS), Strapazin (CHE), Lagon Revue (FR) and the New York Times (USA). She has self-published over a dozen comic books and two anthologies. She is the author of Hax (Breakdown Press, 2015) and Grip (Perfectly Acceptable Press, 2019). A segment of her series Hyperspeed to Nowhere was featured in the 2014 issue of Best American Comics and her self-published comic Hot Dog Beach #2 won an Ignatz Award in 2012. Her animation work has shown internationally at festivals, galleries and the New Museum in New York City. Her music video for Lightning Bolt’s Metal East won an award at Leeds International Film Festival in 2015.  Lale Westvind is currently teaching animation and illustration at Parsons School of Design whilst finishing a new book for Breakdown Press (London). Her work is inspired by the natural world, the corporeal experience and her love of motorcycles and other machines.  (Source: https://lalewestvind.com/biography-and-about-page-for-comix-and-animation-artist-lale-westvind/ )

Additional information:

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Animation:
2009  Organism Tests
2010  FLESH GUN
2010  GARDEN STATIC
2010  HYPNODEUM
2016  Morpha Utila

Director:
2009  Organism Tests
2010  FLESH GUN
2010  GARDEN STATIC
2010  HYPNODEUM
2016  Morpha Utila

Sound:
2009  Organism Tests
2010  FLESH GUN
2010  GARDEN STATIC
2010  HYPNODEUM
2016  Morpha Utila

Writer:
2009  Organism Tests
2010  FLESH GUN
2010  GARDEN STATIC
2010  HYPNODEUM
2016  Morpha Utila

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.