A work in constant progress (and occasional regress).
Alias:
Vito Adriaensens
Vito A. Rowlands (né Adriaensens, Antwerp, 1986) is a Belgian filmmaker and scholar. His feature script "Elvis, We Like Your Music" was a finalist at the 2021 Sundance Film Festival Development Track and his award-winning shorts have played around the world at venues such as the Ann Arbor Film Festival, the Alchemy Film and Moving Image Festival, Vienna Shorts, Aesthetica, the Cadence Video Poetry Festival, Raindance, the Brooklyn Film Festival, HollyShorts, Dresdner Schmalfilmtage, Mostra Internazionale del Cinema di Genova, and Nitehawk Shorts. Vito has taught in Amsterdam, Brussels, and Copenhagen, as well as at Columbia University. He is an Assistant Professor of Experimental Film and Media at New York University's Tisch School of the Arts and a 16mm film instructor at Mono No Aware in Brooklyn. He is a co-author of "Screening Statues: Sculpture and Cinema" and the author of "Velvet Curtains and Gilded Frames: The Art of Early European Cinema." His first feature is the Metamorphoses-inspired 35mm anthology film "Ovid, New York" (2024). He is currently in pre-production on his second feature: a silent, nineteenth-century set spiritualist thriller.
Director:
2019 Ascending Double Helix
2020 Cloud Commuting
2020 Entre les images
2020 Into the Silver Ether
2020 Moon, Waxing
2020 Twilight Triptych
2021 Flames that Drift
2022 Immaculate Generations no. 1
2024 For Satan: The Convert's Guide to Häxan; being tidbits, tangents & trivialities by its author, esteemed connoisseur of the kinematograph, dr. Vito Adriaensens
2024 Ovid, New York
???? 5-cent American Flag
Director of Photography:
2019 Ascending Double Helix
2020 Cloud Commuting
2020 Entre les images
2020 Into the Silver Ether
2020 Moon, Waxing
2020 Twilight Triptych
2021 Flames that Drift
2022 Immaculate Generations no. 1
2024 For Satan: The Convert's Guide to Häxan; being tidbits, tangents & trivialities by its author, esteemed connoisseur of the kinematograph, dr. Vito Adriaensens
2024 Ovid, New York
???? 5-cent American Flag
Editor:
2019 Ascending Double Helix
2020 Cloud Commuting
2020 Entre les images
2020 Into the Silver Ether
2020 Moon, Waxing
2020 Twilight Triptych
2021 Flames that Drift
2022 Immaculate Generations no. 1
2024 For Satan: The Convert's Guide to Häxan; being tidbits, tangents & trivialities by its author, esteemed connoisseur of the kinematograph, dr. Vito Adriaensens
2024 Ovid, New York
???? 5-cent American Flag
Producer:
2019 Ascending Double Helix
2020 Cloud Commuting
2020 Entre les images
2020 Into the Silver Ether
2020 Moon, Waxing
2020 Twilight Triptych
2021 Flames that Drift
2022 Immaculate Generations no. 1
2024 For Satan: The Convert's Guide to Häxan; being tidbits, tangents & trivialities by its author, esteemed connoisseur of the kinematograph, dr. Vito Adriaensens
2024 Ovid, New York
???? 5-cent American Flag
Writer:
2019 Ascending Double Helix
2020 Cloud Commuting
2020 Entre les images
2020 Into the Silver Ether
2020 Moon, Waxing
2020 Twilight Triptych
2021 Flames that Drift
2022 Immaculate Generations no. 1
2024 For Satan: The Convert's Guide to Häxan; being tidbits, tangents & trivialities by its author, esteemed connoisseur of the kinematograph, dr. Vito Adriaensens
2024 Ovid, New York
???? 5-cent American Flag
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.