A work in constant progress (and occasional regress).
Filmmaker, designer, writer, musician, and storyteller based in Nashville, TN. At the age of 5, Aidan Elliott made his first short film, a stop-motion creature feature called “SUBR”, and published it to YouTube in 2005. Since then, he has had a presence growing up side by side with the internet, inspired by webseries like "Marble Hornets", internet content and culture like “creepypastas” and “SCP”, as well as movies like “Maze Runner” and "A Quiet Place". Over the years Aidan has developed cutting edge content structures by intersecting cinema and social media to share powerful stories online to millions around the globe. His breakout hit, @TheSunVanished, an episodic horror story told through Twitter, reached 500K followers in the first few months of creation and inspired a proof of concept short film to re-launch the franchise through a cinematic lens.
Director:
2021 The Sun Vanished: Proof of Concept
Editor:
2021 The Sun Vanished: Proof of Concept
Music:
2021 The Sun Vanished: Proof of Concept
Producer:
2021 The Sun Vanished: Proof of Concept
Sound:
2021 The Sun Vanished: Proof of Concept
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.