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Ben Masters

Biography from TheMovieDB

Ben Masters is a filmmaker and writer specializing in wildlife and adventure stories. Most known for directing the documentary The River and The Wall (SXSW Award Winner) and for producing Unbranded (Mountainfilm Audience Award Winner), Masters studied wildlife biology at Texas A&M and founded Fin and Fur Films, a production company specializing in shorts featuring wildlife research, conservation, and activism.

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Additional information:

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Film Performances

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Film Production

Director:
2018  Return of the Desert Bighorn
2019  The River and the Wall
2021  American Ocelot
2022  Deep in the Heart: A Texas Wildlife Story
2023  A Century Celebration: Texas State Parks

Director of Photography:
2018  Return of the Desert Bighorn
2019  The River and the Wall
2021  American Ocelot
2022  Deep in the Heart: A Texas Wildlife Story
2023  A Century Celebration: Texas State Parks

Executive Producer:
2018  Return of the Desert Bighorn
2019  The River and the Wall
2021  American Ocelot
2022  Deep in the Heart: A Texas Wildlife Story
2023  A Century Celebration: Texas State Parks
????  Batsies

Producer:
2018  Return of the Desert Bighorn
2019  The River and the Wall
2021  American Ocelot
2022  Deep in the Heart: A Texas Wildlife Story
2023  A Century Celebration: Texas State Parks
????  Batsies

Writer:
2018  Return of the Desert Bighorn
2019  The River and the Wall
2021  American Ocelot
2022  Deep in the Heart: A Texas Wildlife Story
2023  A Century Celebration: Texas State Parks
????  Batsies

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TV Performances

  • 1982  Nature
    Narrator (voice)

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TV Production

Director of Photography:
1982  Nature

Producer:
1982  Nature

Writer:
1982  Nature

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.