Rodrigo Stettler

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Art Direction:
2015  Manekineko

Assistant Camera:
2014  Barquito
2015  Manekineko

Assistant Director of Photography:
2014  Barquito
2015  Manekineko
2021  Lo que se perdió
2022  La visita

Assistant Set Designer:
2011  El Fausto Criollo
2014  Barquito
2015  Manekineko
2021  Lo que se perdió
2022  La visita

Camera Operator:
2011  El Fausto Criollo
2013  Fe
2014  Barquito
2015  Manekineko
2021  Lo que se perdió
2021  Quimera
2022  La visita

Continuity:
2011  El Fausto Criollo
2013  Fe
2014  Barquito
2015  Manekineko
2017  My Mother Is a Parrot
2021  Lo que se perdió
2021  Quimera
2022  La visita

Drone Operator:
2011  El Fausto Criollo
2013  Fe
2014  Barquito
2015  Manekineko
2017  My Mother Is a Parrot
2021  Lo que se perdió
2021  Quimera
2022  La visita
2023  Pescantora

Editor:
2011  El Fausto Criollo
2013  Fe
2014  Barquito
2015  Manekineko
2017  My Mother Is a Parrot
2021  Lo que se perdió
2021  Quimera
2022  La visita
2023  Pescantora

Electrician:
2010  DOGMAN! 3: El enfrentamiento final
2011  El Fausto Criollo
2013  Fe
2014  Barquito
2014  Detrás del espejo
2015  Manekineko
2017  Cauce
2017  My Mother Is a Parrot
2021  Lo que se perdió
2021  Quimera
2022  La visita
2023  Pescantora

First Assistant Director:
2007  Pozo ciego
2010  DOGMAN! 3: El enfrentamiento final
2011  El Fausto Criollo
2013  Fe
2014  Barquito
2014  Detrás del espejo
2015  Manekineko
2017  Cauce
2017  My Mother Is a Parrot
2021  Lo que se perdió
2021  Quimera
2022  La visita
2023  Pescantora

Gaffer:
2007  Pozo ciego
2010  DOGMAN! 3: El enfrentamiento final
2011  El Fausto Criollo
2013  Fe
2014  Barquito
2014  Detrás del espejo
2015  Manekineko
2017  Cauce
2017  My Mother Is a Parrot
2018  Refugios
2018  Vergara
2020  La pasarela
2021  Lo que se perdió
2021  Quimera
2022  La visita
2023  Pescantora

Second Assistant Camera:
2007  Pozo ciego
2010  DOGMAN! 3: El enfrentamiento final
2011  El Fausto Criollo
2013  Fe
2014  Barquito
2014  Detrás del espejo
2015  Manekineko
2017  Cauce
2017  My Mother Is a Parrot
2018  Refugios
2018  Vergara
2020  La pasarela
2021  Lo que se perdió
2021  Quimera
2022  La visita
2023  Pescantora
2024  El infierno de los vivos

Sound:
2007  Pozo ciego
2010  DOGMAN! 3: El enfrentamiento final
2011  El Fausto Criollo
2013  Fe
2014  Barquito
2014  Detrás del espejo
2015  Manekineko
2017  Cauce
2017  My Mother Is a Parrot
2018  Refugios
2018  Vergara
2020  La pasarela
2021  Lo que se perdió
2021  Quimera
2022  La visita
2023  Pescantora
2024  El infierno de los vivos

Thanks:
2007  Pozo ciego
2010  DOGMAN! 3: El enfrentamiento final
2011  El Fausto Criollo
2013  Fe
2014  Barquito
2014  Detrás del espejo
2015  Manekineko
2016  La historia de Fulano
2016  Tan hombre
2017  Cauce
2017  El silencio
2017  My Mother Is a Parrot
2018  Al caer el sol
2018  Refugios
2018  Vergara
2020  La pasarela
2021  Lo que se perdió
2021  Quimera
2022  La visita
2023  Pescantora
2024  El infierno de los vivos

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.