Jeremy Blewitt

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Jeremy is an 18-year-old creative from Sydney, Australia. His most recent roles include 2023 releases The Clearing (2023) directed by Jeffrey Walker (Modern Family, Young Rock) and Gracie Otto (Heartbreak High) for Wooden Horse/Egeria TV/ Disney+ Star Originals/Hulu and The Lost Flowers of Alice Hart (2023) directed by Glendyn Ivin (Penguin Bloom, Puberty Blues) for Amazon Studios, Endeavour Content and Made Up Stories. In 2021 he played a lead role in short film Mate (2021), which has been recognised with an array of awards internationally, including the prestigious Grand Prix at the Clermont-Ferrand International Short Film Festival. Additional credits Jeremy has collected as a leading man include Celestial Bodies (2022), Balaclava Lane (2022), and 'The Dam'. As a writer, director and producer, Jeremy was awarded in 2022 youth short film competition Me, My Culture and I. Having also co-written short films The Disposed (2019) and No Road to Neom (2020), Jeremy continues to develop his own screenplays. Also a keen musician, Jeremy has written and recorded an EP with former band 3IQ, a short film score and theme music for a children's television project. He enjoys producing hip-hop, electronic and rock music in his spare time.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.