A work in constant progress (and occasional regress).
Birthplace:
Brasília, Distrito Federal, Brazil
Born:
April 25, 1996
Art Direction:
2024 To understand electrical wirings
Cinematography:
2020 Mais a soma de seus possíveis: parte 1
2020 Mais a soma de seus possíveis: parte 2
2020 The spider has a fly in its head
2022 Promise to never go suddenly silent, little radio box
2023 Quiprocó
2024 Always half way there
2024 To understand electrical wirings
Director:
2020 Mais a soma de seus possíveis: parte 1
2020 Mais a soma de seus possíveis: parte 2
2020 Morte em pleno verão
2020 The spider has a fly in its head
2021 Aniquilação
2021 Chumbo
2022 Promise to never go suddenly silent, little radio box
2022 Veredas
2023 Quiprocó
2024 Always half way there
2024 Maedeh/Mina
2024 Relé
2024 To understand electrical wirings
Director of Photography:
2020 Mais a soma de seus possíveis: parte 1
2020 Mais a soma de seus possíveis: parte 2
2020 Morte em pleno verão
2020 The spider has a fly in its head
2021 Aniquilação
2021 Chumbo
2022 Promise to never go suddenly silent, little radio box
2022 Veredas
2023 Quiprocó
2024 Always half way there
2024 Dobradiça Entrevista
2024 Maedeh/Mina
2024 Relé
2024 To understand electrical wirings
Editor:
2020 Avejão/Abantesma
2020 Mais a soma de seus possíveis: parte 1
2020 Mais a soma de seus possíveis: parte 2
2020 Morte em pleno verão
2020 The spider has a fly in its head
2021 Aniquilação
2021 Chumbo
2022 Promise to never go suddenly silent, little radio box
2022 Veredas
2023 Quiprocó
2024 Always half way there
2024 Dobradiça Entrevista
2024 Maedeh/Mina
2024 Relé
2024 To understand electrical wirings
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.