A work in constant progress (and occasional regress).
Alias:
Abi Hunsaker
Abi Nielson
Birthplace:
San Diego, California, USA
Born:
June 13, 1996
Raised in offbeat Utah, in a filmmaking culture of ‘Napoleon Dynamite’ and ‘Electrick Children’, Abi has always been into unconventional storytelling. With a background in indie documentary and a love for comedy, she’s worked on everything from viral TikToks to feature length films premiered at Sundance, SXSW, and Full Frame. As Head of Development & Lead Producer at Sorø Films, Abi collaborated with companies like Buzzfeed Studios and XYZ Films on film development and distribution. When she’s not screenwriting or graphic designing, Abi enjoys working with clients to hone their brand identity, using her Bachelor’s in Media Arts and industry experience to develop compelling ways to tell their story.
Art Direction:
2017 I Love My Robot Boyfriend!
Associate Producer:
2017 I Love My Robot Boyfriend!
2021 The Killing of Two Lovers
Co-Director:
2017 I Love My Robot Boyfriend!
2020 PHEO
2021 The Killing of Two Lovers
Creative Producer:
2017 I Love My Robot Boyfriend!
2020 PHEO
2021 Scenes from the Glittering World
2021 The Killing of Two Lovers
Director:
2017 I Love My Robot Boyfriend!
2020 PHEO
2021 Scenes from the Glittering World
2021 The Killing of Two Lovers
2024 The Captain & The Super Clams
Producer:
2017 I Love My Robot Boyfriend!
2020 PHEO
2021 Scenes from the Glittering World
2021 Stop and Go
2021 The Killing of Two Lovers
2022 Rocketboys
2024 The Captain & The Super Clams
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.