A work in constant progress (and occasional regress).
Director:
2014 Rétro F1 2014 : Étoiles filantes
2015 Rétro F1 2015 : Trois étoiles
2016 Rétro F1 2016 : Au sommet
2017 Rétro F1 2017 : Reconquête
2021 Le monde de Lewis
2021 Rétro F1 2021 : Révolution
2023 Bleu, blanc, vite - Par toutes les émotions
2023 Objectif Brennus
2024 Ferrari, un hiver à Maranello
2024 Objectif Brennus, Toulouse implaquable
2024 Prince Charles
???? Ferrari, un hiver à Maranello, la suite...
Writer:
2014 Rétro F1 2014 : Étoiles filantes
2015 Rétro F1 2015 : Trois étoiles
2016 Rétro F1 2016 : Au sommet
2017 Rétro F1 2017 : Reconquête
2021 Le monde de Lewis
2021 Rétro F1 2021 : Révolution
2023 Bleu, blanc, vite - Par toutes les émotions
2023 Objectif Brennus
2024 Ferrari, un hiver à Maranello
2024 Objectif Brennus, Toulouse implaquable
2024 Prince Charles
???? Ferrari, un hiver à Maranello, la suite...
Director:
2023 Bleu, Blanc, Vite
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.