A work in constant progress (and occasional regress).
Music Editor:
1985 Going to War
1986 Moving On
1987 First Journey, Fort William
1987 To a Safer Place
1988 Rendezvous Canada, 1606
1989 Illuminated Lives: A Brief History of Women's Work in the Middle Ages
1991 Blackfly
Sound:
1982 Unfinished Diary
1985 Going to War
1986 Moving On
1987 First Journey, Fort William
1987 To a Safer Place
1988 Rendezvous Canada, 1606
1989 Illuminated Lives: A Brief History of Women's Work in the Middle Ages
1991 Blackfly
Sound Editor:
1977 The Rubber Gun
1982 Unfinished Diary
1983 Flamenco at 5:15
1983 The Contour Connection
1983 The Wars
1985 Going to War
1986 Doctor, Lawyer, Indian Chief
1986 Harder Than It Looks
1986 Moving On
1987 First Journey, Fort William
1987 To a Safer Place
1988 Rendezvous Canada, 1606
1989 Illuminated Lives: A Brief History of Women's Work in the Middle Ages
1991 Blackfly
Sound Engineer:
1976 East End Hustle
1977 The Rubber Gun
1982 Unfinished Diary
1983 Flamenco at 5:15
1983 The Contour Connection
1983 The Wars
1985 Going to War
1986 Doctor, Lawyer, Indian Chief
1986 Harder Than It Looks
1986 Moving On
1987 First Journey, Fort William
1987 To a Safer Place
1988 Rendezvous Canada, 1606
1989 Illuminated Lives: A Brief History of Women's Work in the Middle Ages
1991 Blackfly
Sound Supervisor:
1976 East End Hustle
1977 The Rubber Gun
1982 Unfinished Diary
1983 Flamenco at 5:15
1983 The Contour Connection
1983 The Wars
1985 Going to War
1986 Doctor, Lawyer, Indian Chief
1986 Harder Than It Looks
1986 Moving On
1987 First Journey, Fort William
1987 To a Safer Place
1988 Rendezvous Canada, 1606
1989 Illuminated Lives: A Brief History of Women's Work in the Middle Ages
1991 Blackfly
Sound Editor:
1981 On Guard For Thee
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.