A work in constant progress (and occasional regress).
Birthplace:
Brooklyn, New York
Born:
September 23, 1894
Died:
May 9, 1968
From Wikipedia, the free encyclopedia. Albert Lewin (1894–1968) was an American film director, producer, and screenwriter. He was born in Brooklyn, New York on September 23, 1894 and raised in Newark, New Jersey. He earned a Master's degree at Harvard and taught English at the University of Missouri. During World War I, he served in the military and was afterwards appointed assistant national director of the American Jewish Relief Committee. He later became a drama and film critic for the Jewish Tribune until the early 1920s, when he went to Hollywood to become a reader for Samuel Goldwyn. Later he worked as a script clerk for directors King Vidor and Victor Sjöström before becoming a screenwriter at MGM in 1924. Lewin was appointed head of the studio's script department and by the late 20s was Irving Thalberg's personal assistant and closest associate. Nominally credited as an associate producer, he produced several of MGM's most important films of the 1930s. After Thalberg's death, he joined Paramount as a producer in 1937, where he remained until 1941. Notable producing credits during this period include True Confession (1937), Spawn of the North (1938), Zaza (1939) and So Ends Our Night (1941). In 1942, Lewin began to direct. He made six films, writing all of them and producing several himself. As a director and writer, he showed literary and cultural aspirations in the selection and treatment of his themes. In 1966, Lewin published a novel, The Unaltered Cat. He died of pneumonia in New York on May 9, 1968. Description above from the Wikipedia article Albert Lewin, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Adaptation:
1942 The Moon and Sixpence
Associate Producer:
1935 China Seas
1935 Mutiny on the Bounty
1937 The Good Earth
1942 The Moon and Sixpence
Director:
1935 China Seas
1935 Mutiny on the Bounty
1937 The Good Earth
1942 The Moon and Sixpence
1945 The Picture of Dorian Gray
1947 The Private Affairs of Bel Ami
1951 Pandora and the Flying Dutchman
1953 Saadia
1957 The Living Idol
Producer:
1931 The Cuban Love Song
1931 The Guardsman
1932 Red-Headed Woman
1932 Smilin' Through
1934 What Every Woman Knows
1935 China Seas
1935 Mutiny on the Bounty
1937 The Good Earth
1937 True Confession
1938 Spawn of the North
1938 Zaza
1941 So Ends Our Night
1941 The Lady Eve
1942 The Moon and Sixpence
1945 The Picture of Dorian Gray
1947 The Private Affairs of Bel Ami
1951 Pandora and the Flying Dutchman
1953 Saadia
1957 The Living Idol
Production Supervisor:
1931 The Cuban Love Song
1931 The Guardsman
1932 Red-Headed Woman
1932 Smilin' Through
1934 What Every Woman Knows
1935 China Seas
1935 Mutiny on the Bounty
1937 The Good Earth
1937 True Confession
1938 Spawn of the North
1938 Zaza
1941 So Ends Our Night
1941 The Lady Eve
1942 The Moon and Sixpence
1945 The Picture of Dorian Gray
1947 The Private Affairs of Bel Ami
1951 Pandora and the Flying Dutchman
1953 Saadia
1957 The Living Idol
Screenplay:
1931 The Cuban Love Song
1931 The Guardsman
1932 Red-Headed Woman
1932 Smilin' Through
1934 What Every Woman Knows
1935 China Seas
1935 Mutiny on the Bounty
1937 The Good Earth
1937 True Confession
1938 Spawn of the North
1938 Zaza
1941 So Ends Our Night
1941 The Lady Eve
1942 The Moon and Sixpence
1945 The Picture of Dorian Gray
1947 The Private Affairs of Bel Ami
1951 Pandora and the Flying Dutchman
1953 Saadia
1957 The Living Idol
Script Supervisor:
1923 Three Wise Fools
1924 Name the Man
1931 The Cuban Love Song
1931 The Guardsman
1932 Red-Headed Woman
1932 Smilin' Through
1934 What Every Woman Knows
1935 China Seas
1935 Mutiny on the Bounty
1937 The Good Earth
1937 True Confession
1938 Spawn of the North
1938 Zaza
1941 So Ends Our Night
1941 The Lady Eve
1942 The Moon and Sixpence
1945 The Picture of Dorian Gray
1947 The Private Affairs of Bel Ami
1951 Pandora and the Flying Dutchman
1953 Saadia
1957 The Living Idol
Story:
1923 Three Wise Fools
1924 Name the Man
1931 The Cuban Love Song
1931 The Guardsman
1932 Red-Headed Woman
1932 Smilin' Through
1934 What Every Woman Knows
1935 China Seas
1935 Mutiny on the Bounty
1937 The Good Earth
1937 True Confession
1938 Spawn of the North
1938 Zaza
1941 So Ends Our Night
1941 The Lady Eve
1942 The Moon and Sixpence
1945 The Picture of Dorian Gray
1947 The Private Affairs of Bel Ami
1951 Pandora and the Flying Dutchman
1953 Saadia
1957 The Living Idol
Writer:
1923 Three Wise Fools
1924 Name the Man
1926 Ladies of Leisure
1927 Altars of Desire
1927 Spring Fever
1928 The Actress
1931 The Cuban Love Song
1931 The Guardsman
1932 Red-Headed Woman
1932 Smilin' Through
1934 What Every Woman Knows
1935 China Seas
1935 Mutiny on the Bounty
1937 The Good Earth
1937 True Confession
1938 Spawn of the North
1938 Zaza
1941 So Ends Our Night
1941 The Lady Eve
1942 The Moon and Sixpence
1945 The Picture of Dorian Gray
1947 The Private Affairs of Bel Ami
1951 Pandora and the Flying Dutchman
1953 Saadia
1957 The Living Idol
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.