A work in constant progress (and occasional regress).
Birthplace:
São Paulo, Brazil
Born:
November 21, 2001
Born in São Paulo, Brazil, Mark was always interested in visual mediums from an early age coming from great influences from his parents with a strong incentive of films and photography. Before he started making and participating in short films, Mark was more focused on photography. He started making short films in high school in Brazil, first as a cinematographer and a gaffer with one of his closest friends from high school, Eduardo Machado, who wrote and directed Modulation (2019). The first of many collaborations between the two. A year later, Mark, participated in a short film with another close friend, this time, Flora Serra, who wrote and directed Astro (2020) an English sci-fi short that was selected for the 10th annual Cinefantasy that same year. In the subsequent year, Mark's next short film was with another close friend from high school, Luiz Felipe Aranha, who also collaborated as a cinematographer in Astro with Mark, wrote and directed Acho Que Estou Ficando Velha (2021), a Portuguese short which depicts a generation clash of an elderly woman and her youthful grandson. In 2021, Eduardo Machado decided to direct his last short film before leaving São Paulo with the gang. In it, the short is a time capsule with improvised lines and impeccable original songs from Flying Kites and Flight Project, both of Eduardo's bands. Mark, however, was not a cinematographer but an actor. In August of 2021, Kincey left Brazil to pursue an education in Canada, at the University of New Brunswick. Since his time there, he has directed, edited and produced a short film, I'll Be Watching You (2022), a spooky horror short that blends Kincey's visuals from photography with storytelling. The short was written, produced, shot and edited in a week and a half. In 2023, Mark participated as a cinematographer in an upcoming film, The Dream (2023) which was directed by Michelle Allard, assisted by Cecilia Hooper, and acted by Nathan Furlotte. Mark, however, collaborated with Ronald Olufemi, the cinematographer from I'll Be Watching You (2022). This upcoming film was shot in one day with a Bolex camera. Mark has a YouTube channel with his previous works.
Assistant Camera:
2021 Acho Que Estou Ficando Velha
Assistant Director of Photography:
2019 Modulation
2021 Acho Que Estou Ficando Velha
Cinematography:
2019 Modulation
2020 Astro
2021 Acho Que Estou Ficando Velha
2024 Agares
Color Grading:
2019 Modulation
2020 Astro
2021 Acho Que Estou Ficando Velha
2023 Clink
2024 Agares
Director:
2019 Modulation
2020 Astro
2021 Acho Que Estou Ficando Velha
2022 I'll Be Watching You
2023 Clink
2024 Agares
Director of Photography:
2019 Modulation
2020 Astro
2021 Acho Que Estou Ficando Velha
2022 I'll Be Watching You
2023 Clink
2023 How To Get Rid of a Ghost
2023 The Dream
2024 Agares
Editor:
2019 Modulation
2020 Astro
2021 Acho Que Estou Ficando Velha
2022 I'll Be Watching You
2023 Clink
2023 How To Get Rid of a Ghost
2023 The Dream
2024 Agares
Gaffer:
2019 Modulation
2020 Astro
2021 Acho Que Estou Ficando Velha
2022 I'll Be Watching You
2023 Clink
2023 How To Get Rid of a Ghost
2023 The Dream
2024 Agares
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.