A work in constant progress (and occasional regress).
Assistant Production Manager:
2006 Vita Smeralda
Line Producer:
2006 Vita Smeralda
2017 Like a Cat on a Highway
2019 Don't Stop Me Now
2023 There's Still Tomorrow
Production Manager:
2006 Vita Smeralda
2007 L'ultimo Dei Corleonesi
2008 Quiet Chaos
2010 Loose Cannons
2011 Whatsoeverly
2012 A Magnificent Haunting
2012 Diaz - Don't Clean Up This Blood
2012 Everything Everything Nothing Nothing
2017 Like a Cat on a Highway
2017 Mom or Dad?
2019 Don't Stop Me Now
2023 There's Still Tomorrow
Second Assistant Camera:
2006 Vita Smeralda
2007 L'ultimo Dei Corleonesi
2008 Quiet Chaos
2010 Loose Cannons
2011 Whatsoeverly
2012 A Magnificent Haunting
2012 Diaz - Don't Clean Up This Blood
2012 Everything Everything Nothing Nothing
2017 Like a Cat on a Highway
2017 Mom or Dad?
2019 Don't Stop Me Now
2021 My Body Will Bury You
2023 There's Still Tomorrow
Unit Manager:
2002 El Alamein
2004 The Spectator
2006 Vita Smeralda
2007 L'ultimo Dei Corleonesi
2008 Quiet Chaos
2010 Loose Cannons
2011 Whatsoeverly
2012 A Magnificent Haunting
2012 Diaz - Don't Clean Up This Blood
2012 Everything Everything Nothing Nothing
2017 Like a Cat on a Highway
2017 Mom or Dad?
2019 Don't Stop Me Now
2021 My Body Will Bury You
2023 There's Still Tomorrow
Unit Production Manager:
2002 El Alamein
2004 The Spectator
2005 Melissa P.
2006 Vita Smeralda
2007 L'ultimo Dei Corleonesi
2008 Quiet Chaos
2010 Loose Cannons
2011 Whatsoeverly
2012 A Magnificent Haunting
2012 Diaz - Don't Clean Up This Blood
2012 Everything Everything Nothing Nothing
2016 Forever Young
2017 Like a Cat on a Highway
2017 Mom or Dad?
2019 Don't Stop Me Now
2021 My Body Will Bury You
2023 There's Still Tomorrow
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.