A work in constant progress (and occasional regress).
Birthplace:
Philadelphia, Pennsylvania, USA
Born:
August 11, 1891
Died:
September 25, 1959
Helen Broderick (August 11, 1891 - September 25, 1959) was a wonderfully funny character comedienne with vaudeville and stage experience, a close friend of Jeanne Eagels. The story goes, that at the age of 14 she ran away from home, because her mother, who appeared in operatic comedy, was totally obsessed by the theatre. Paradoxically, all the people she met turned out to be performers, and Helen (who needed to make a living, after all) ended up where she hadn't wanted to end up - on the stage. She started out as a chorus girl in the first Ziegfeld Follies in 1907. Her talent for comedy was discovered quite by accident. In 1911, she was understudy to the actress Ina Claire in the Broadway play 'Jumping Jupiter'. One night, Claire was unable to perform and Helen Broderick stood in as the romantic lead. She soon had the audience in stitches, trampling about the stage like an elephant, rolling her big saucer eyes and attempting to croon 'Cuddle Near Me All Day Long' in her rather unique voice. The romance was no more and instead turned into a popular farce with Helen now permanently installed in the lead role. For a while, Helen partnered her husband, Lester Crawford, in vaudeville. In the 1920's, she enjoyed success on Broadway, most notably in 'Fifty Million Frenchmen' ( a role she took to Hollywood in 1931). Her best parts in the movies were as the perennial friend or chaperone of the heroine (an earlier Eve Arden), delivering acidic wisecracks in her inimitable dead-pan manner. She was particularly amusing in Top Hat (1935) and Swing Time (1936) with Fred Astaire and Ginger Rogers; and in The Rage of Paris (1938) with Danielle Darrieux.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.