Kassy Gascho

Birthplace:
Toronto, Ontario

KASSY GASCHO is a very goofy 25-year-old filmmaker and film programmer whose work has been screened at various film festivals around the world since she was 16 years old. She’s been making movies way longer than that but you won’t ever see them. Kassy’s DIY filmmaking approach is informed by working in various roles over her time on this planet and having a strong background in editing, camera, and producing numerous DIY shorts since she was 12 years old. Her short, The Phone Interview has received rave reviews such as "Can there be enough pink?” and “This looks like it was shot in Claire's store” as well as received multiple awards from festivals around the world. Her new short #BOSSBABE started its festival run with its world premiere at the Fantasia International Film Festival in Montreal where it took home the Bronze Audience Choice Award for Best Canadian Short.

Additional information:

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Associate Producer:
2022  Cordelia!

Casting Director:
2022  Cordelia!
????  The American Bean

Director:
2022  Cordelia!
2023  #BOSSBABE
????  Missed Connections
????  The American Bean
????  The Phone Interview

Editor:
2022  Cordelia!
2023  #BOSSBABE
????  Missed Connections
????  The American Bean
????  The Phone Interview

Producer:
2022  Cordelia!
2022  The Gospel of Shroom Jesus
2023  #BOSSBABE
????  Missed Connections
????  The American Bean
????  The Phone Interview

Writer:
2022  Cordelia!
2022  The Gospel of Shroom Jesus
2023  #BOSSBABE
????  Missed Connections
????  The American Bean
????  The Phone Interview

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.