A work in constant progress (and occasional regress).
Born:
May 22, 1945
Steve Gan (born May 22, 1945) is a Chinese-born Filipino comics artist. He is best known for co-creating Panday with Carlo J. Caparas and Marvel Comics' Star Lord and Skull the Slayer. Steve Gan was born as Santos S. Gan but changed his first name to "Steve" in admiration of Steve Ditko. Gan studied architecture at the Mapúa Institute of Technology and later worked as an artist in the Komiks industry.It was as Steve Gan that he got a huge break drawing for American comic book publisher Marvel Comics, sending work through his United States-based agent, the Filipino comic book artist Tony DeZuñiga. In 1974, Gan began drawing for Marvel Comics and contributed to their line of black-and-white magazines, including Savage Tales and Dracula Lives. He co-created Star Lord and Skull the Slayer with writers Steve Englehart and Marv Wolfman, respectively. Gan was highly regarded for his artwork on both Conan, titles Conan the Barbarian and Savage Sword of Conan, from 1974 to 1979. Gan briefly worked for Warren Publishing in the early 1980s. After leaving the comics industry, he became a layout designer and storyboard artist in the animation field. Upon the release of the Guardians of the Galaxy film in 2014, Gan was given both credit in the movie and royalties for co-creating Star-Lord. Gan is married with three children. He retired from drawing comics full-time in 2002; speaking at a convention in 2014, he spoke about walking away from drawing in the medium 12 years ago. Description above from the Wikipedia article Steve Gan, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.