A work in constant progress (and occasional regress).
Birthplace:
Fredericton, New Brunswick, Canada
Died:
January 1, 2002
Video maker, curator, producer, AIDS activist. New Brunswick-bred Michael Balser was part of the experimental video and Super 8 scene in Fredericton and Ottawa before finally putting down roots in Toronto in 1985. Balser continued his prolific output, combining activist documentary with experimental narrative and collage, up until his death in 2002. Dialogue said by an “AIDS Activist Action Figure” in his 1996 film Treatments might be thought of as his parting words: “...if I’m going to go, at least I’m going to go out fighting.”
Director:
1988 Survival of the Delirious
1989 The Great AZT Debate
1992 An Evening With Richard Locke
1995 Positive Men
Producer:
1988 Survival of the Delirious
1989 The Great AZT Debate
1992 An Evening With Richard Locke
1992 Voices of Positive Women
1995 Positive Men
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.