A work in constant progress (and occasional regress).
Alias:
Robert S. Barbera
Birthplace:
New York City, New York, USA
Born:
December 17, 1894
Died:
May 24, 1976
From Wikipedia, the free encyclopedia Bobby Barber (December 18, 1894 – May 24, 1976) was an American actor who appeared in over 100 films. Barber is notable for his work as a foil for Abbott and Costello on and off screen. Barber was often used by Bud Abbott and Lou Costello as a form of "court jester" on the set of their films. It was his job to keep the energy level up with pranks and practical jokes. Sometimes, he even suddenly appeared on camera during a take to break up the cast and crew. In Abbott and Costello Meet Frankenstein (1948), Costello answers a knock at the door expecting to see large actor Lon Chaney Jr. Instead, the very short Barber walks in wearing a funny hat with a feather. In another outtake from that film, Bela Lugosi, in full Dracula regalia, is solemnly descending a staircase to meet Abbott and Costello when all of a sudden the actors and crew burst out laughing. Lugosi, annoyed, turns around to see Barber following right behind him, mimicking his steps. Barber also appeared in bit parts, such as a delivery boy, waiter, bellhop, or man on the street, often uncredited in movies, and in many of Abbott and Costello's films and about half their television shows. Sometimes his likeness was in a picture on a wall or a "wanted" poster in a post office. His final film appearance was in Lou Costello's last movie, The 30 Foot Bride of Candy Rock (1959). His film career included bit parts in over 100 (known) feature films.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.