Home

José Luis Aparicio (b. 1994)

Birthplace:
Cuba

Born:
April 1, 1994

Biography from TheMovieDB

Independent filmmaker, critic and curator born in Cuba in 1994.  He has directed the fiction short films Tundra (2021) and El Secadero (Dryland, 2019), as well as the medium-length documentary Sueños al pairo (Dreams adrift, 2020). His films have been selected by festivals such as Sundance, Locarno, Raindance, Miami, BAFICI, Guanajuato, Curta Cinema and NewFilmmakers LA. Tundra was awarded at Fantaspoa, New Jersey, New York City Independent, Pendance and the Seattle Latino film festivals. In 2022 he was invited to Locarno’s Open Doors program and received one of the Prince Claus Seed Awards.  He is currently developing his first feature film, El Mar / The Sea, a project selected by the Spanish Film Academy Residencies, the Cinéma en Développement platform of the Cinélatino-Rencontres de Toulouse film festival, and the Nouveau Marché of the Festival du Nouveau Cinéma. As part of the documenta fifteen in Kassel, he curated Tierra sin imágenes / Land Without Images, the largest retrospective of Cuban independent cinema to date. Since 2021 he has been the artistic director of the INSTAR Film Festival.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

Film Production

Director:
2019  Dryland
2021  Dreams adrift
2021  Tundra

Editor:
2019  Dryland
2021  Dreams adrift
2021  Tundra

Executive Producer:
2019  Dryland
2021  Dreams adrift
2021  Tundra

Screenplay:
2019  Dryland
2021  Dreams adrift
2021  Tundra

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.