A work in constant progress (and occasional regress).
Birthplace:
Rapid City, South Dakota, U.S.
Nathan Edwards is a producer, production coordinator, and screenwriter based in Toronto. Originally from Tennessee, Nathan began his film career in 2015. He has worked on film and television projects for Paramount, NBCUniversal, PBS, Hallmark, as well as several independent features. When he isn't producing or coordinating he's either writing or moonlighting as a stop motion animator and puppeteer.
Assistant Accountant:
2023 Roll with It
Assistant Production Coordinator:
2022 A Nashville Country Christmas
2023 A Biltmore Christmas
2023 Mystic Christmas
2023 Roll with It
2023 Where Are You, Christmas?
Director:
2022 A Nashville Country Christmas
2023 A Biltmore Christmas
2023 Mystic Christmas
2023 Roll with It
2023 Where Are You, Christmas?
2024 Fly By Night
Line Producer:
2022 A Nashville Country Christmas
2022 Nothing Is Impossible
2023 A Biltmore Christmas
2023 Mystic Christmas
2023 Roll with It
2023 Where Are You, Christmas?
2024 Fly By Night
Producer:
2018 I Hate Coffee, A Love Story
2020 Five Women in the End
2022 A Nashville Country Christmas
2022 Nothing Is Impossible
2023 A Biltmore Christmas
2023 Mystic Christmas
2023 Roll with It
2023 Where Are You, Christmas?
2024 Fly By Night
Writer:
2018 I Hate Coffee, A Love Story
2020 Five Women in the End
2022 A Nashville Country Christmas
2022 Nothing Is Impossible
2023 A Biltmore Christmas
2023 Mystic Christmas
2023 Roll with It
2023 Where Are You, Christmas?
2024 Fly By Night
Production Coordinator:
2022 Barmageddon
Production Supervisor:
2022 American Anthems
2022 Barmageddon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.